Hi Darcy-

yep, that's what the composer wants, and I thought was too much as well. My
only experience is with my ukelelee and dulcimer, and I know I wouldn't try
tuning that high on either of those, but I'm not as knowledgeable about
guitars......

I'm wondering whether the use of a few harmonics isn't in order here as the
next possible solution.
Any takers on whether that's a technique an average church guitarist can
handle with ease?

Cecil Rigby
[EMAIL PROTECTED] (personal)
www.harrockhall.com
[EMAIL PROTECTED]


----- Original Message ----- 
From: "Darcy James Argue" <[EMAIL PROTECTED]>
To: <finale@shsu.edu>
Sent: Sunday, April 30, 2006 10:36 PM
Subject: Re: [Finale] guitar/TAB question


> You want the guitarist to tune their top E string up by *eight
> semitones*???
>
> I'm not a guitarist, but my strong suspicion is there's no way to do
> that without serious risk of breaking the string.
>
> It sounds like this part is not playable on a guitar without an
> extended fretboard.
>
> - Darcy
> -----
> [EMAIL PROTECTED]
> http://secretsociety.typepad.com
> Brooklyn, NY
>
>
>
> On 30 Apr 2006, at 10:26 PM, Cecil Rigby wrote:
>
> > Hi all-
> >
> > A guitar part I'm working on has notes outside (above) the range of a
> > standard six-string instrument with normal tuning. The highest note
> > is eight
> > frets above playable (assuming a standard 20-fret instrument).
> >
> > Is the most common solution a retuning of the strings (when an
> > instrument
> > without the needed extension isn't available)?
> > If so, is there a secondary tuning that is more common than another
> > for such
> > situations,
> > or do I just retune as many frets upward as necessary for that one
> > string
> > and know the average guitarist can handle it?
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