Andrew Stiller wrote:


Re: Faerie's aire and death waltz

From: Christopher Smith <[EMAIL PROTECTED]>


I didn't see anything there that was impossible in Finale, though it would take a day or more, I would think. Jef chipewa certainly could do it! (you can mail me my cheque for the free publicity, jef!) 8-)


For me, the ultimate transcendental etude for music notation has always been Cornelius Cardew's Treatise, wh. unlike the item under discussion is meant perfectly seriously.

P. 183, the climax, features stems that turn into staff lines, curved staves, staves with lines that go out of parallel, upside down and/or backwards clefs, backward flats, accents attached to stems, inverted mordents included in the middle of beams, etc. etc. Other pages feature feathered staff lines, freehand (wiggly) staff lines, noteheads with cutout white spaces--in short, virtually every kind of musical graphic imaginable. All this could be done w. Finale, I suppose, but it would doubtless be quicker with a straightforward graphics program--especially since most of the shapes required are circles, ellipses, straight lines, and boxes.

There is a surprisingly large amount about this piece online, mostly devoted to the question of how to perform it. See especially the excellent discussion at http://www.blockmuseum.northwestern.edu/picturesofmusic/pages/anim.html

This is the kind of thing we used to dread way back when I was studying anthropology. Imagine being on a dig, and finding something like this, and then trying to figure out its meaning. Lifetimes could be spent on what is, essentially, a practical joke. Yeah, some will continue to try to interpret it, but it is admittedly something intended to be interpreted individually, and to have no concrete or set meaning.

At least the "Faerie's Aire" gives an intentional chuckle. The "Treatise" seems more to be meant to drive musicologists mad. [sigh] If only the composer had known what he was after, he probebly could have notated it in a more traditional manner - but that appears not to have been his intent.

cd
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