Chuck Israels wrote:
On Mar 3, 2007, at 5:50 PM, David W. Fenton wrote:
How do you resolve those things without endless rehearsal? What if
two players have the same passage but interpret the notation slightly
differently? Or in contradictory ways?
Ah, I think that happens often, and sometimes produces unexpectedly
beautiful results. One of the charms of this method of music making.
The conflicts are always resolved on the main pulses. The pushes and
pulls are a big part of the thrill of the music.
Chuck
And sometimes working through the contradictions can lead to new stuff
that nobody expected. Especially when working with musicians the
calibre of Bob's band.
cd
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