>You know, I've really tried to understand this particular 
>complaint, and I'm afraid I really can't.  When we did 
>everything by hand we all, always, entered duration and pitch 
>simultaneously, right? 
>(Placement on the staff = pitch; note shape/color = duration.) 

Well, no. First you move your pen to the pitch, then you draw the duration.
These are two distinct steps that can be done in only one order.

>So why should one way be "better" than the other (whatever "better" 
>means)?  It isn't as if we're hardwired by nature to think one 
>way or the other, is it?

No, we are not hard-wired, just highly practiced to do pitch then duration,
whether in copying or playing.

>Maybe it's just something that can't be explained, a 
>disinclination to learn new methods, but heck, everything I DO 
>on a computer forces me to learn new methods!!!  

Sure. I could learn Simple and the reverse order of entry, but I have no
need to and the attempts that I have made at it have been brief but
frustrating.

Richard Yates

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