Christopher Smith wrote:

> I am addressing the ghost problem first. You can set the shading of  the
> ghosts so that they are very, very faint; just enough so that you  can see
> them to identify them. Also, drag them off the BOTTOM of the  page, not the
> side, so they don't show on other pages.

How, exactly, do you set the shading of "hidden" items? I searched the
online manual and found nothing about it.

Besides, even in their faint state, the "hidden" expressions are *NOT*
transparent! In fact, they are quite opaque and will completely cover up
anything underneath them that was entered previously. I would be *very*
surprised if making them very, very faint so that you could hardly see them
would also somehow make them transparent.

And dragging unwanted "hidden" expressions into some kind of off-page
garbage heap seems awfully kludgy to me.

> The rest can be done with right-click Show and Hide in the parts or  score as
> needed, with the override key as needed. It isn't really  that long, even if
> you have to do it four or five times. So it isn't  a total rout.

So the only other work-around is to manually edit the individual assignments
for each and every single expression, as this cannot be done en masse by
drag-selecting a group of expressions and selecting "Edit Assignment" from
the context menu. In the situation I described it would be *MUCH* more
labor-intensive than simply entering the expressions using staff lists, as
can be done in Finale 2008.

It seems obvious that the "old school" way of using multiple staff lists was
far easier and more elegant in situations like this. I can't imagine how
*anyone* could, in good conscience, defend MakeMusic's arbitrary and
Sibelius-like decision to limit the number of staff lists to four in Finale
2009!

Brian Williams


Christopher Smith wrote:

>> Jari Williamsson wrote:
>> 
>>> Brian Williams wrote:
>>> 
>>>> The main advantage of staff lists over drag-apply is that you can  use them
>>>> to display expressions differently in the score than in  individual parts.
>>>> 
>>> That can be done with drag-apply as well.
>>> 
>>>> Here's an example I read about: let's say you want to put a  "Repeat Til
>>>> Cue" marking in the last measure of a short repeated section. You want  it
>>>> to appear correctly in the score and in parts that are playing, but  you
>>>> don't want it to break the multimeasure rest in parts that are resting.
>>>> You could enter it in the last measure and use a staff list to only show it
>>>> on the playing parts and score, and then enter it again in the first
>>>> measure and use a different staff list to only show it in the resting parts
>>>> so it won't break the multimeasure rests. Now, let's say you have several
>>>> sections like this in a piece, and a different group of instruments are
>>>> playing/ resting each time. You can see how the four staff list limit would
>>>> be a  problem.
>>>> 
>>> The same thing can be done with drag-apply: drag-apply 2 sets of markings
>>> and assign them differently.
>>> 
>> 
>> So, please explain exactly how you would use drag-apply to enter  the "Repeat
>> til Cue" expression so that it only appears above the top staff of  the score
>> in the last measure of the repeated section, but also appears above  the last
>> measure of each of the parts who are playing in the last measure  and no
>> other parts, and how you would use drag-apply to enter another  "Repeat til
>> Cue" expression that does not appear in the score at all but only  appears
>> above the *first* measure of the parts that have a multimeasure  rest in this
>> repeated section (thereby not breaking the mm rest) - and do this  four or
>> five times in the same file with different groups of instruments
>> playing/resting each time - and do it without having a bunch of faint
>> "hidden" expressions cluttering up the score or dragged off the  page and
>> onto another page that can be seen with multi-page editing.
>> 
>> Please Jari, enlighten us as to exactly how this could be done with  only
>> four staff lists!  :-)
>> 
> I am addressing the ghost problem first. You can set the shading of  the
> ghosts so that they are very, very faint; just enough so that you  can see
> them to identify them. Also, drag them off the BOTTOM of the  page, not the
> side, so they don't show on other pages.
> 
> The rest can be done with right-click Show and Hide in the parts or  score as
> needed, with the override key as needed. It isn't really  that long, even if
> you have to do it four or five times. So it isn't  a total rout.

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