On Fri, Aug 21, 2009 at 5:10 PM, David W.
Fenton<lists.fin...@dfenton.com> wrote:
> In an earlier period, they were prepared for the copyist to prepare
> the parts. And that's one of the reasons that Kim's situation is so
> interesting to me, in that the scores he's working with would likely
> have confused most copyists in preparing the parts, unless the
> composer had a very close relationship with a regular copyist who
> know how to interpret his idiosyncracies.


Graupner, or Endler or Hoffman were the copyists for Darmstadt
performance materials,
so they knew what he wanted, or could have verbally checked with him.

Thanks,

Kim
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