At 2:06 PM -0800 1/13/11, Ryan wrote:
Raymond, I'd LOVE to use Crumb's notation, but there's no quick & easy way
to get that into Finale.

Thanks for all your opinions. Seems like I agree with most of you. Now,
here's a follow-up:

I'm working on a piece in 5/4. The composer wrote this as kind of a "sequel"
to another piece he wrote in 5/4. Someone else engraved that other piece and
used the whole-tied-to-quarter method. For consistency's sake, I'm wondering
if I should follow the same convention. The composer is expecting these
pieces to be paired together in performances.

Paired together in performance is one thing, but will they be published together as two movements?

John


--
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts & Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:john.how...@vt.edu)
http://www.music.vt.edu/faculty/howell/howell.html

"We never play anything the same way once."  Shelly Manne's definition
of jazz musicians.
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