Thanks John .... I can't believe I spend this much time on something so seemingly simple ...

Cheers,

Dean

On May 6, 2011, at 2:49 PM, John Howell wrote:

At 1:06 PM -0700 5/6/11, Dean M. Estabrook wrote:
Ok, Horn players .... I'm confused (not a new thing). I'm transcribing a Mendelsshon overture for Wind Ensemble .... the orchestra score lists the Horns as "Cor. in D". What is the concert pitch for a given note in that part? For the most part, they are written quite high, so I've have to believe if I'm transcribing for F Horns (which I am), that the concert pitches have gotta be lower ... no?

Appreciate any help ...


Dean

Horn in D sound a minor 3rd below horn in F. So a written C5 sounds D4 on horn in D. And to sound D1 concert on F horn you must write A4. So if you're copying from a D horn part, transpose it down a minor 3rd.

In general, horn in D will always sound lower than horn in F, just as horn in A (Beethoven's 7th, for example) will always sound higher.

For F horn I think mezzo-soprano clef. For anything else I have to go through this whole process to make sure I'm doing it right. And I might STILL have messed it up!

John


--
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts & Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:john.how...@vt.edu)
http://www.music.vt.edu/faculty/howell/howell.html

"We never play anything the same way once."  Shelly Manne's definition
of jazz musicians.
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I have opened my soul/To let in the warmth of sound/Now my saving grace
Adrian Estabrook, author

And ... I remain intrigued that some folks who accept and practice, with absolute fidelity, the concepts of, say, feng shui and pyramids, should find the task of extending their leaps of faith to include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/

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