hey john, here is the original cheers, jef
>click on "ouvrir" (opens PDF) for the piece "fantasme" (6th in the list) >http://www.marcgosselin.fr/compositeur/pour-instruments.html > >i'm thinking the baseball bat would be best notated on a single >line, and actually normal noteheads could be used for the part, >since it is played "normally" and is already on a percussion staff. > >also i find that sixteenth notes would better represent the >composer's intentions; the quarter note for me suggests a duration >that is inconsistent with the gesture... > >further to the last point, the fermata should actually be on the 2nd >(or 3rd) rest for clarity, no? > >but maybe there are some experts on the list that might have some >other ideas or experiences in these kinds of contexts? > >cheers, >jef > >============== > >english translations: > >[A] - free(ly) > >m4 - on the viola, with conviction and passion > >m6 - keep the violist from whimpering by any means necessary > >bottom of page - * unfortunately, conservatories do not offer >baseball bat courses, but any performer would (be able to) execute >this part with pleasure and professionalism. / this is not the >definitive score, the author feels that the A section is too long. _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
