john, you can't extend your experiences with badly done concert pitch scores to the entire realm of concert pitch scores. and you can't blame proko for modern editions of his scores. i (don't know for sure but) would assume the score he submitted and the version he proofed for publication were transposed.
>I still get thrown by soprano, mezzo-soprano, and baritone clefs, >and have to decode tenor clef, all of which Nadia Boulanger >was still teaching through the mid-20th century. well, a lot has happened since the nadia era. make yourself a strong batch of coffee and look some of it up. _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
