Hello. Minor 9th up from B flat is C flat, according to what I learned. If so, it is enough to place one b sign to the B and another to the C in the beginning of the measure and musicians will play B flat and then up minor 9th, C flat all the measure.
Reg, Diddi On Wed, Nov 20, 2013 at 2:25 PM, Steve Parker <st...@pinkrat.co.uk> wrote: > In my experience it is better to always use accidentals to cancel > different octaves. If it happens a lot, depending on the tonality of the > piece, you may not need parentheses. > Bb to B is an augmented octave. > Maybe a better solution is to write a genuine minor ninth of Bb to Cb? > > Steve P. > > > On 20 Nov 2013, at 13:19, <eisenb...@aol.com> wrote: > > > > > > To David Froom and others , > > > > > > Regarding the use of cautionary accidentals, I'd appreciate your feedback > > > > > > In a non-key signature piece, when a measure of music includes Bb going > up a minor 9th to B natural, and this happens multiple times in a measure, > is it preferable in your experience, to always include the flat and natural > signs so that the performer is clear on the specific pitch desired for each > register? Is a parenthesized accidental and natural sign preferable to > non-parenthesized? Or, would a performer prefer a one time > placement/measure of the accidental and natural signs? > > > > > > Thanks in advance, > > > > > > Bruce Eisenbeil > > > > > > > > _______________________________________________ > > Finale mailing list > > Finale@shsu.edu > > http://lists.shsu.edu/mailman/listinfo/finale > > > > > _______________________________________________ > Finale mailing list > Finale@shsu.edu > http://lists.shsu.edu/mailman/listinfo/finale > > _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
