Assuming you have a keyboard with a wide enough span, you set caps lock on
"3" (16th notes) then play all the chords in one at a time. Then change the
16ths to the correct dotted rhythms.


On Wed, Jul 16, 2014 at 8:13 AM, Dennis Bathory-Kitsz <
bath...@maltedmedia.com> wrote:

> Robert, thanks,
>
> The tediousness comes from the range -- high above the treble clef and far
> below the bass clef is such a distance on the same stem, and without some
> kind
> of method to change the view, there are too many ledger lines in one clef
> or
> the other to count. Am I missing something in your description?
>
> And how does the caps lock help me here?
>
> D
>
>
>
> On Wed, July 16, 2014 8:48 am, Robert Patterson wrote:
> > I would enter them all on the top staff using speedy with caps lock. You
> > can then drag the first one using Cross Stave and my Mass Copy plugin
> will
> > copy the cross staffing from. It seems only slightly tedious to me.
> >
> >
> > On Wed, Jul 16, 2014 at 6:41 AM, Dennis Bathory-Kitsz <
> > bath...@maltedmedia.com> wrote:
> >
> >> Hi all,
> >>
> >> My past few posts have gotten no answers, so I'm wondering if they've
> >> actually
> >> gotten through. Resending this one...
> >>
> >>
> >>
> >> I have received a project with some 500 measures of music for multiple
> >> keyboards where the stems span staves like this image:
> >>
> >>   <http://maltedmedia.com/images/finale/frozen01.jpg>
> >>
> >> Those are all solid stems (and yes, this photocopy is the best quality
> >> that I
> >> have to work with; the actual pencil original from 40 years ago was lost
> >> in a
> >> fire).
> >>
> >> Is there a method or plugin other than entering notes on one staff and
> >> dragging to the other with the note mover tool?
> >>
> >> Because of the ledger lines, the least painful method I can think of is
> to
> >> enter the notes on the treble staff, change that staff to a bass staff
> and
> >> enter those notes, then change back and drag.
> >>
> >> My usual entry method is Speedy on the computer keyboard.
> >>
> >> Thanks,
> >> Dennis
> >>
> >>
> >>
> >>
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