Hello all, I wonder if any among you are as frustrated as I am dealing with large ensemble balances. In orchestral settings, the brass and percussion especially tend to be way too quiet, and also seem to have far less of a dynamic range.
It seems that using any of the mixers (studio view, mixer view, or Garriton Aria player view) is of minimal use, as those volumes get overridden by score markings. The only way around I have found is to clutter the score with invisible dynamics, while disabling the dynamics I know I will need to use for real performance. To a lesser extent, I this is a problem with articulations (but as those, even hidden, create layout problems, I am living without). Can anyone give some general advice on dealing with this? Any general workarounds (short of creating a separate playback file)? I guess what would be really cool is first, to consolidate the mixers into one place, and then to give mixing control that remains in the memory that works independent of score markings. Even better would be if Garriton were fixed to be better balanced in the first place! Thank you in advance, David Froom _______________________________________________ Finale mailing list Finale@shsu.edu https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: finale-unsubscr...@shsu.edu
