I was curious as to what those of you who use hourly billing are currently charging in your various regions. I switched from a per page rate to hourly a few years ago, with progressively increasing rates starting with straight engraving of existing parts and scores, to arranging, to audio transcription, to actual composition. If anyone would care to share any of their thoughts about this either publicly on the list or with me privately off list, I would welcome any and all comments. I'm trying to be careful about setting my rates in a healthy range that is neither lower than the industry standard yet not at the highest level, either, and thank everyone in advance for their ideas.
Michael Wittenburg Sent from Outlook<http://aka.ms/weboutlook> _______________________________________________ Finale mailing list Finale@shsu.edu https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: finale-unsubscr...@shsu.edu