Hi Christopher,

MM ought to hire you to be their perfect explainer.

Margot and I send our fond regards,

Chuck

> On Apr 26, 2017, at 12:27 PM, Christopher Smith 
> <christopher.sm...@videotron.ca> wrote:
> 
> There are a number of issues here.
> 
> First of all, if you tell Finale to use Default spelling, it sometimes 
> doesn’t make the right decision. You can either change the spelling manually, 
> or use a different default. I generally use this when I enter chords, because 
> Finale will usually choose F Ab C rather than F G# C if you hold down an F 
> minor chord. Chords it doesn’t recognize (like many jazz chords) are up for 
> grabs. They may be spelled correctly, or not, according to the direction the 
> wind is blowing and the moon phase.
> 
> Favour Sharps, or Favour Flats are two of the defaults I use regularly. There 
> is no keyboard command to toggle these, so I have assigned them myself on my 
> Mac using the System Preference. This is pretty much bulletproof, but you 
> have to remember to set it, and if you enter a passage with the “wrong” 
> setting, you have to go back and change them manually using one of two 
> methods. This method is far from perfect, because if you have chosen one of 
> these defaults and enter an F#dim7 chord, either the F# or the Eb will be 
> spelled incorrectly.
> 
> There is also “Use Spelling Tables” and you can set them according to the key 
> you are in, major or minor. These seem to be broken since many versions now, 
> or else I simply don’t understand them, because they have never worked 
> properly for me.
> 
> The two manual methods for flipping enharmonics (or three, really, but the 
> third one is stupidly broken) are as follows:
> 
> 1. Set Favour Sharps or Favour Flats and with the Speedy cursor on the chord 
> or note, hold down the pitch on the MIDI keyboard and hit Enter. Finale will 
> use whatever setting is in the Enharmonic Spelling at the moment to spell the 
> chord or note that way. This is the same as when you originally enter the 
> pitch. Spelling changed this way will stick properly.
> 
> 2. For a while on single-note parts, I took to entering notes with 
> accidentals as diatonic notes, then hitting + or - immediately after the fact 
> to change it to a higher or lower alteration. This is also bulletproof.
> 
> 3. Finale’s OFFICIAL way to switch enharmonics in Speedy is to set the cursor 
> on the note and hit 9. If you set the cursor on a chord and it is not exactly 
> on a notehead, it will cycle through every possible spelling, starting with 
> the lowest note in the chord, every time you press 9. If you ARE exactly on a 
> notehead, it will only respell this pitch. But this has been broken for many, 
> many versions now, as it doesn’t stick properly. It very well may flip back 
> on you without you doing anything, even when you are working on some other 
> staff. It is especially bad if you have ever hit 9 more than once on the same 
> stem. They claim to have fixed it, but it is still maddeningly broken. There 
> is no telling how this will turn out, so never touch it, is my advice. Use 
> one of the other methods.
> 
> Christopher
> 
> 
>> On Apr 26, 2017, at 1:32 PM, Elizabeth R. Austin <gink...@gmail.com> wrote:
>> 
>> I had a copyist help with an orchestral (opera) score-now I'm adding all
>> text, etc. and proofreading...as I go through all parts, there is
>> inevitably a chordal misspelling, using a # instead of a *b*, etc...is
>> there anything I can 'tell' Finale to do to avoid this?
>> 
>> *Elizabeth R. Austin, ACA, BMI*
>> *www.elizabethaustinmusic.com* <http://www.elizabethaustinmusic.com/>
>> *http://composers.com/elizabeth-r-austin*
>> <http://composers.com/elizabeth-r-austin>
>> *http://www.amc.net/ElizabethRAustin* <http://www.amc.net/ElizabethRAustin>
>> _______________________________________________
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Chuck Israels
cisra...@comcast.net
(360) 201-3434

8831 SE 12th Ave.
Portland OR 97202

<chuckisraelsjazz.com>




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