Hey Pip, how would that affect the daylight footage? think i'd be able to get away with it,, if i go for the 400 asa neg option?
moiratierney.net vimeo.com/moiratierney On Monday, September 27, 2021, 03:49:48 PM GMT+1, FrameWorks Admin <framewo...@re-voir.com> wrote: Hey Moira,Since you are editing in digital, why not develop it as a negative? In that case it should be 400ASA instead of 200, so you gain a stop. - Pip On Sep 27, 2021, at 11:24 PM, ev petrol <epetr...@yahoo.com> wrote: Hey folks, I just shot a gig on Tri-X Super 8 - very low light, my meter needle was hovering between f 1.4 & being in the red. A friend with a lightmeter checked the levels for me & it seems like I might have been just about ok, but I'm concerned about the image being underexposed. Some of the rolls also have daylight footage on them, of the musicians soundchecking - the meter needle was in or around f 5.6 for those shots. I'm wondering whether I should ask the lab to push one stop - any thoughts? We're going to do a 2K scan of the developed footage, for digital edit. -- Frameworks mailing list Frameworks@film-gallery.org https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
-- Frameworks mailing list Frameworks@film-gallery.org https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org