Vorkapich is so underrated.... Sad. Harrington made a TV movie in the 70s titled The Dead Dont Die that must be one of the weirdest things ever paid for by a major network. Worth checking out.
El mié, 1 de dic. de 2021 a la(s) 18:48, jared ashburn ( ashburn.ja...@gmail.com) escribió: > Thank you, Francisco, Vorkapich is at the top of the list! I am reading > "Nice Guys Don't Work in Hollywood" right now and I'll watch this interview > soon. Thanks, again! > > On Fri, Nov 12, 2021 at 4:51 PM Francisco Torres <fjtorre...@gmail.com> > wrote: > >> Curtis Harrington interview about his horror films 1974 >> >> >> https://archive.org/details/CinefantastiqueVol03No3Fall1974/page/n21/mode/2up >> >> >> El vie, 12 de nov. de 2021 a la(s) 18:19, Francisco Torres ( >> fjtorre...@gmail.com) escribió: >> >>> How about Slavko Vorkapich? He is credited with ''visual design'' in I >>> Bury the Living (1958) and created the 3D sequences of The Mask (1961). >>> Both films have become cult classics of the Psychotronic genre. >>> >>> El jue, 11 de nov. de 2021 a la(s) 17:51, Adam Hyman ( >>> a...@lafilmforum.org) escribió: >>> >>>> Yes, talking about “Sister Midnight” >>>> >>>> I don’t know anyone else working on it. >>>> >>>> >>>> >>>> On 11/11/21, 11:18 AM, "Frameworks on behalf of jared ashburn" < >>>> frameworks-boun...@film-gallery.org on behalf of >>>> ashburn.ja...@gmail.com> wrote: >>>> >>>> >>>> >>>> Thank you Tyler and Adam! Smith, Warhol, and the Kuchar brothers are >>>> central to all of this and I am definitely considering their work and >>>> influence on this overlap. Turnock's work (this article and her book) is a >>>> perfect template for what I am trying to do here, but, I cannot seem to >>>> find anyone else (aside from James and Arthur) researching this part of the >>>> history of avant-garde film. For Mays, you are talking about "Sister >>>> Midnight," right? Thanks, again! >>>> >>>> >>>> >>>> On Wed, Nov 10, 2021 at 9:18 PM Adam Hyman <a...@lafilmforum.org> >>>> wrote: >>>> >>>> Oh, and Peter Mays made an exploitation feature as well. >>>> >>>> >>>> >>>> Best, >>>> >>>> Adam >>>> >>>> >>>> >>>> On 11/9/21, 10:27 AM, "Frameworks on behalf of Fred Camper" < >>>> frameworks-boun...@film-gallery.org on behalf of f...@fredcamper.com> >>>> wrote: >>>> >>>> >>>> >>>> Bette Gordon made her own feature film. It was low budget but I don't >>>> know if you are looking for that, or for filmmakers who worked for others? >>>> Larry Jordan made another, *The Apparition*, only 50 minutes according >>>> to IMDB, but it had that feature film, or TV-show, look. As best I can >>>> remember it was his own film. I definitely remember that it looked like it >>>> was trying to be a TV show or short feature. I love Jordan's best films, >>>> but on my one viewing of this one, it seemed to be not good at all, not >>>> even at what it was trying to do. >>>> >>>> Fred Camper >>>> >>>> Chicago >>>> >>>> >>>> >>>> On 11/9/2021 11:30 AM, jared ashburn wrote: >>>> >>>> OK, wow, this is great! Thank you for your replies--this is quite a >>>> list. Does anyone know if this history has been written about? I thought of >>>> David E. James and Paul Arthur and I looked at the chapter, "Narrating Los >>>> Angeles: Art Films and Independent Features," in James' book on minor >>>> cinemas in LA. He accounts, indirectly, for the point that David Sherman >>>> has made here by discussing exploitation films that exploited the >>>> counterculture and appropriated some styles, concepts, and techniques found >>>> in the New American Cinema and European art cinema. The chapter is useful >>>> for my research but I am looking for other articles that might address the >>>> history of this overlap more explicitly. If you think of something, I am >>>> all ears. Thank you, again, I am most appreciative. -JA >>>> >>>> >>>> >>>> List of American Avant-Garde filmmakers who also worked on low-budget, >>>> B and exploitation feature films in the 1960s and 70s: >>>> >>>> *Pat O'Neil * >>>> >>>> *Curtis Harrington* >>>> >>>> *Nathaniel Dorsky* >>>> >>>> *Morgan Fisher* >>>> >>>> *Jerry Abrams* >>>> >>>> *Peggy Ahwesh* >>>> >>>> *Jerome Hiler* >>>> >>>> *Betzy Bromberg* >>>> >>>> *Hy Hirsh* >>>> >>>> >>>> >>>> On Mon, Nov 8, 2021 at 10:23 PM Marc Couroux <cour...@gmail.com> wrote: >>>> >>>> Yes! Fisher mentions Messiah of Evil, and shows a frame of it in >>>> Standard Gauge. >>>> >>>> M >>>> >>>> >>>> >>>> On Mon, Nov 8, 2021 at 5:01 PM Steve Polta <steve.po...@gmail.com> >>>> wrote: >>>> >>>> Off the top of my head: >>>> >>>> 1) Nathaniel Dorsky: *Revenge of the Cheerleaders* (1976)—he was >>>> either director, co-writer, cinematographer or some combination, depending >>>> on whom you ask. >>>> >>>> 2) I've heard that Morgan Fisher was editor on *Messiah of Evil* (1973) >>>> although he is not credited (he appears as an actor as well). >>>> >>>> 3) Bay Area '60s filmmaker (who also did light shows) Jerry Abrams >>>> directed an exploitation doc on Bay Area porn culture of the '70s; I can't >>>> recall the title. >>>> >>>> 4) Peggy Ahwesh worked on-set on some George Romero films but I don't >>>> know the titles. >>>> >>>> >>>> >>>> There are surely lots more… >>>> >>>> >>>> >>>> On Mon, Nov 8, 2021 at 1:19 PM jared ashburn <ashburn.ja...@gmail.com> >>>> wrote: >>>> >>>> Hi, >>>> >>>> >>>> >>>> Does anyone know of any American avant-garde filmmakers who also worked >>>> on low-budget features, B or exploitation films in the late 60s and 70s? >>>> This could be in any area of production or post-production... >>>> >>>> >>>> >>>> Thank you, >>>> >>>> Jared >>>> >>>> -- >>>> Frameworks mailing list >>>> Frameworks@film-gallery.org >>>> >>>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >>>> >>>> -- >>>> Frameworks mailing list >>>> Frameworks@film-gallery.org >>>> >>>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >>>> >>>> >>>> >>>> >>>> -- >>>> >>>> @xenopraxis <https://twitter.com/xenopraxis> >>>> >>>> xenaudial <https://xenaudial.wordpress.com/> >>>> >>>> xenaudial (b/c) <https://xenaudial.bandcamp.com/> >>>> >>>> The Occulture <http://www.theocculture.net/> >>>> >>>> WKWYLF (vimeo) <https://vimeo.com/user9854186> >>>> >>>> -- >>>> Frameworks mailing list >>>> Frameworks@film-gallery.org >>>> >>>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >>>> >>>> >>>> >>>> -- Frameworks mailing list Frameworks@film-gallery.org >>>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >>>> >>>> -- >>>> Frameworks mailing list >>>> Frameworks@film-gallery.org >>>> >>>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >>>> >>>> -- Frameworks mailing list Frameworks@film-gallery.org >>>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >>>> -- >>>> Frameworks mailing list >>>> Frameworks@film-gallery.org >>>> >>>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >>>> >>> -- >> Frameworks mailing list >> Frameworks@film-gallery.org >> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >> > -- > Frameworks mailing list > Frameworks@film-gallery.org > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >
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