Just a tangential question sparked by Daina's story--since Kodak no longer makes printing stocks, what do people use these days for "print stocks" when working on an optical printer? Or even when just making dupe prints? Tim
Date: Thu, 8 Dec 2011 09:35:22 -0800 From: perko...@yahoo.com To: frameworks@jonasmekasfilms.com Subject: Re: [Frameworks] film/digtial hybrid Around 2002 I completed a film called "Summer Light" which was begun by shooting on 16mm film about 10 years earlier. I had hoped to complete it by optical printing but Kodak stopped making the 16mm optical printing stocks and I also didn't have access to an optical printer. Daina Krumins --- On Thu, 12/8/11, Ji-hoon Felix Kim <jihoonfe...@gmail.com> wrote: From: Ji-hoon Felix Kim <jihoonfe...@gmail.com> Subject: [Frameworks] film/digtial hybrid To: "Experimental Film Discussion List" <frameworks@jonasmekasfilms.com> Date: Thursday, December 8, 2011, 6:10 AM Hi Frameworkers, As part of my research, I've been compiling a group of contemporary filmmakers who have employed hand-processing of film and digital visual effects in hybrid ways.The filmmakers I've caught up with thus far include Johanna Vaude, Stephanie Maxwell, Jurgen Reble (for Materia Obscura), Kerry Laitra. I'd like any of you to raise more similar filmmakers who come to your mind, so that I will bring more cases together to my list. Thank you in advance, -- Ji-hoon Kim Assistant Professor, Division of Broadcast & Cinema Studies Wee Kim Wee School of Communication and Information Nanyang Technological University Room 02-08, 31 Nanyang Link Singapore 637718 Office phone: (65) 6514-8351 Mobile: (65) 9720-8484 -----Inline Attachment Follows----- _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
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