Perhaps they are making the stocks NOW, but at that moment the stocks I needed 
for bluescreen stuff were only available in 35mm.  I know, I checked it out at 
that time.

I might have been able to use some other stocks from Japan or Europe, but the 
whole question was academic since I was stuck taking care of people and 
couldn't afford all those dupes, intermediate generations, etc.

Adobe After Effects is a HOOT!  Make a mistake, wipe it out.  Make a mistake on 
the optical printer and it's $$$ down the drain right quick.

Daina


--- On Thu, 12/8/11, 40 Frames <i...@40frames.org> wrote:

From: 40 Frames <i...@40frames.org>
Subject: Re: [Frameworks] film/digtial hybrid
To: "Experimental Film Discussion List" <frameworks@jonasmekasfilms.com>
Date: Thursday, December 8, 2011, 1:14 PM



On Thu, Dec 8, 2011 at 10:04 AM, eric stewart <e.l.j.stew...@gmail.com> wrote:

And a couple intermediate stocks!
-

Yes, yes, yes!
Alain




 

On Thu, Dec 8, 2011 at 10:02 AM, 40 Frames <i...@40frames.org> wrote:



On Thu, Dec 8, 2011 at 9:57 AM, Tim Halloran <televis...@hotmail.com> wrote:








Just a tangential question sparked by Daina's story--since Kodak no longer 
makes printing stocks, what do people use these days for "print stocks" when 
working on an optical printer? Or even when just making dupe prints? 




 


Since when? 
http://motion.kodak.com/motion/Products/Distribution_And_Exhibition/index.htm



Kodak makes color and black & white print stocks, as does ORWO (B/W) and Fuji 
(color). 
Alain






  




Date: Thu, 8 Dec 2011 09:35:22 -0800
From: perko...@yahoo.com
To: frameworks@jonasmekasfilms.com



Subject: Re: [Frameworks] film/digtial hybrid






Around 2002 I completed a film called "Summer Light" which was begun by 
shooting on 16mm film about 10 years earlier.  I had hoped to complete it by 
optical printing but Kodak stopped making the 16mm optical printing stocks and 
I also didn't have access to an optical printer.




Daina Krumins





--- On Thu, 12/8/11, Ji-hoon Felix Kim <jihoonfe...@gmail.com> wrote:


From: Ji-hoon Felix Kim <jihoonfe...@gmail.com>
Subject: [Frameworks] film/digtial hybrid
To: "Experimental Film Discussion List" <frameworks@jonasmekasfilms.com>



Date: Thursday, December 8, 2011, 6:10 AM


Hi Frameworkers,

As part of my research, I've been compiling a group of contemporary filmmakers 
who have employed hand-processing of film and digital visual effects in hybrid 
ways.
The filmmakers I've caught up with thus far include Johanna Vaude, Stephanie 
Maxwell, Jurgen Reble (for Materia Obscura), Kerry Laitra. I'd like any of you 
to raise



more similar filmmakers who come to your mind, so that I will bring more cases 
together to my list. 

Thank you in advance,
 
-- 
Ji-hoon Kim
Assistant Professor, Division of Broadcast & Cinema Studies



Wee Kim Wee School of Communication and Information
Nanyang Technological University
Room 02-08, 31 Nanyang Link
Singapore 637718
Office phone: (65) 6514-8351
Mobile: (65) 9720-8484




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-- 
40 FRAMES
Alain LeTourneau
Pam Minty

40 FRAMES
5232 North Williams Avenue
Portland, Oregon 97217
USA

+1 503 231 6548


www.40frames.org

www.16mmdirectory.org
www.emptyquarterfilm.org



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-- 
40 FRAMES
Alain LeTourneau
Pam Minty

40 FRAMES
5232 North Williams Avenue
Portland, Oregon 97217
USA

+1 503 231 6548
www.40frames.org

www.16mmdirectory.org
www.emptyquarterfilm.org



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