I'd like to second the internegative idea. If your work is done, then take it 
to a lab, have a contact internegative struck, and sit in on the timing session 
to ensure that the colors are just the way you want them.

Or, and here is an opportunity for more creative work, if you have access to a 
contact printer, make your own internegative and then print.  Contact printers 
normally print emulsion to emulsion, and continuously, and are (in principle) 
very easy on irregular materials.


On May 26, 2013, at 7:06 PM, Roger Wilson wrote:

> The process that is normally done is to have an internegative completed from 
> the painted film and then a print made from this internegative. I think 
> anything you place on the film will eventually wear off. 
> 
> 
> Roger D. Wilson
> 613 324 - 7504
> rogerdwil...@sympatico.ca
> http://www.rogerdwilson.ca
> 
> Without failure you can never achieve success. I have based my process and my 
> career as an experimental film artist on this statement; and I welcome it as 
> it pushes me forward as an artist to try something different, something new. 
> 
> 
> Date: Sun, 26 May 2013 20:01:37 -0500
> From: jfhay...@gmail.com
> To: FrameWorks@jonasmekasfilms.com
> Subject: [Frameworks] painted film finisher
> 
> Hello,
> 
> I have recently completed two films made using direct application techniques, 
> such as hand painting with craft paint, india ink, permanent markers and 
> other media. I would like to find a way to apply some kind of finish to the 
> film so that the ink and paint do not continue to rub off with projection, 
> but I'm afraid to use a spray finish for traditional paintings, as they are 
> usually quite flammable. Any ideas?
> 
> -JH
> 
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