?

Matt McCormick's _Subconscious Art of Graffitt Removal_, perhaps?



________________________________
From: FrameWorks <frameworks-boun...@jonasmekasfilms.com> on behalf of Eli 
Horwatt <ehorw...@gmail.com>
Sent: Sunday, March 1, 2015 5:44 PM
To: Experimental Film Discussion List
Subject: Re: [Frameworks] Derivés and City Symphonies

Hollis Frampton's Surface Tension

Wolf Vostell's Notstandbordstein sort of flips the derive - it turns the 
streets themselves into a screen - but the images are projected outside of a 
car, so it may not be appropriate. Youngblood talks about it in Expanded Cinema 
and there's a copy I believe at Filmmaker's Co-op.




On Sun, Mar 1, 2015 at 6:25 PM, Jason Halprin 
<jihalp...@gmail.com<mailto:jihalp...@gmail.com>> wrote:
Off the top of my head, here are two that might fit:

Bruce Biaille - Castro Street
Richard Myers - Zocalo


Jason Halprin
jihalp...@gmail.com<mailto:jihalp...@gmail.com>

On Sat, Feb 28, 2015 at 10:47 PM, Kelsey Velez 
<kelsve...@hotmail.com<mailto:kelsve...@hotmail.com>> wrote:
Framworkers,

I'm seeking suggestions for film based derivés, shot on 16mm or 8/s8mm. If you 
have an outstanding example of a video derivé to share, please feel welcome to 
do so. Anything in the vein of Tomonari Nishikawa's Market Street is ideal, but 
if you are particularly keen on a representational piece that does something 
interesting viz. the derivé, don't hold back.

kv

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