James Benning’s 9/1/75?

P.S. Having made this mistake myself, the correct spelling is dérive, not
derivé, see: http://en.wikipedia.org/wiki/D%C3%A9rive

On Sun, Mar 1, 2015 at 4:08 PM, Carl E Bogner <crlel...@uwm.edu> wrote:

>  ​
>
> Matt McCormick’s _Subconscious Art of Graffitt Removal_, perhaps?
>
>
>
>  ------------------------------
> *From:* FrameWorks <frameworks-boun...@jonasmekasfilms.com> on behalf of
> Eli Horwatt <ehorw...@gmail.com>
> *Sent:* Sunday, March 1, 2015 5:44 PM
> *To:* Experimental Film Discussion List
> *Subject:* Re: [Frameworks] Derivés and City Symphonies
>
>  Hollis Frampton's Surface Tension
>
>  Wolf Vostell's Notstandbordstein sort of flips the derive - it turns the
> streets themselves into a screen - but the images are projected outside of
> a car, so it may not be appropriate. Youngblood talks about it in Expanded
> Cinema and there's a copy I believe at Filmmaker's Co-op.
>
>
>
>
> On Sun, Mar 1, 2015 at 6:25 PM, Jason Halprin <jihalp...@gmail.com> wrote:
>
>>  Off the top of my head, here are two that might fit:
>>
>>  Bruce Biaille - Castro Street
>> Richard Myers - Zocalo
>>
>>
>>   Jason Halprin
>> jihalp...@gmail.com
>>
>>  On Sat, Feb 28, 2015 at 10:47 PM, Kelsey Velez <kelsve...@hotmail.com>
>> wrote:
>>
>>>   Framworkers,
>>>
>>> I'm seeking suggestions for film based derivés, shot on 16mm or 8/s8mm.
>>> If you have an outstanding example of a video derivé to share, please feel
>>> welcome to do so. Anything in the vein of Tomonari Nishikawa's *Market
>>> Street* is ideal, but if you are particularly keen on a
>>> representational piece that does something interesting viz. the derivé,
>>> don't hold back.
>>>
>>>  kv
>>>
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>>>
>>>
>>
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>>
>
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