Janie Geiser’s Immer Zu > On Jun 18, 2015, at 11:10 PM, Shashwati Talukdar <m...@shashwati.com> wrote: > > I am looking for examples of the use of music and songs in films that can be > described as noir. Where music plays an integral role in moving the film > along. Mainstream examples also welcome. > > -- > regards, > > Shashwati Talukdar > 夏雪莉 > ----------------------------------- > <https://www.facebook.com/fournineandahalf> <http://vimeo.com/shashwati> > <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US> > <https://twitter.com/cinedevi> > <http://fournineandahalf.com/>_______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks
Michael Zryd • Associate Professor Department of Film School of the Arts, Media, Performance & Design YORK UNIVERSITY CFT 236 • 4700 Keele Street Toronto ON • Canada M3J 1P3 T 416.736.2100 ext 22173 F 416.736. 5710 / cell: 647-430-8680 / Skype: mjpzryd z...@yorku.ca <mailto:z...@yorku.ca> • http://ampd.yorku.ca/about-us/our-faculty/michael-zryd <http://finearts.yorku.ca/about-us/our-faculty/michael-zryd> • ampd.yorku.ca <http://ampd.yorku.ca/> This electronic mail (e-mail), including any attachments, is intended only for the recipient(s) to whom it is addressed and may contain information that is privileged, confidential and/or exempt from disclosure. No waiver of privilege, confidentiality or any other protection is intended by virtue of its communication by the internet. Any unauthorized use, dissemination or copying is strictly prohibited. If you have received this e-mail in error, or are not named as a recipient, please immediately notify the sender and destroy all copies of it.
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