This may help you out Mark, it's a post from my blog.
 Hand Processing 16mm black and white filmMaterials for processing film as 
negative:
Kodak D-76 Developer (powder)Kodak Rapid Fixer with Hardener (do not mix in 
hardener if you plan to tint and tone film)2 - 4 litre photographic chemical 
storage containers1 Flat-top thermometer1 Measuring graduate4 - large 10 litre 
pails (purchase paint mixing pails from Home Depot)1 Funnel1 Pair rubber 
gloves1 Face mask1 Pair scissors1 Length of string and clothes pegs1 Pair 
goggles1 Photographers loupe1 Watch that glows in the dark

You should process film in a room that has running water. The room should also 
have good ventilation. You will need complete darkness to process the film so 
the room also needs to be light tight. Bathrooms work best and most have a 
ceiling fan. If your bathroom has a window you can cover it with black foam 
core or any material that will prevent light from leaking in. Turn lights off 
and wait a few minutes and let your eyes adjust to the darkness. If you see 
your hands in front of your face it is not dark enough.
Caution: Remember you are working with chemicals so be careful and use goggles, 
rubber gloves and process the film in a well ventilated room.
Step by Step Instructions
To develop film as negative:
1.  Pre-mix chemicals using Kodak’s instructions on packaging. Store chemicals 
in proper photographic storage containers. Label the containers with contents 
and date of mixing. I usually replace developer after 1000’ of 16 film or after 
it has sat for more than two months. Fixer lasts longer so check mixing 
instructions for how long to store chemicals.
2. I usually use warm water to mix the chemicals so I allow the chemicals to 
sit until they get to room temperature before I start to process film. Kodak 
recommends processing the film in developer that is between 20 and 24 degrees 
Celsius temperature. The warmer the water the shorter the develop time.
3. Place side by side on the floor or in tub your 4 pails. Pour into the first 
pail the Kodak Developer then fill the pail directly beside it with water. In 
the third pail pour in the Rapid Fixer and fill the fourth pail with water.
4. Double check that your room is light tight, if not fix light leaks before 
processing film.
5. If room is completely dark then take your roll of exposed 16mm film out of 
its film can. Unravel in your hand the amount of film you wish to process. The 
less you process at a time the cleaner your results will be (less scratches and 
unprocessed areas). Place film that you will not be processing back into film 
can and secure it so light does not expose it when you turn the lights back on.
6. Take the film that is in your hand and dunk it into the D-76 developer, 
continuously agitate the film during processing. I usually process black and 
white film for 3.5 minutes in D-76 chemicals but I recommend doing your own 
tests as well because this also depends on how you expose your film in camera.
7. At the 3.5 minute point take film out of Developer and dunk in water and 
rinse film, agitate film in water for 2 minutes.
8. At 2 minute point pull film out of water and dunk in Rapid Fixer. Agitate 
the film in the Fixer for 4 to 6 minutes.
9. After the film has been fixed pull it out and place it in the final water 
rinse. At this point you can turn the lights back on. I usually rinse the film 
for at least 20 minutes, replenishing the water a couple times.
10.  After rinsing hang the film up on a string to dry.
11. After the film has completely dried find tail end and roll back onto 
spool/core.
12. Exposure times using G-3 Morse Tank and D-76 Developer
Developer 8 minutes: 8 passes through tank (1 pass would be transferring entire 
roll from one reel to the other), each pass should take about a minute.
Rinse in water 6 minutes: I like to really rinse my film off well so that my 
chemicals last longer. I fill the tank up with fresh water between each full 
cycle pass (full cycle pass would be transferring the entire roll of film from 
one reel to the other and then back again to first reel). I do this three 
times, each full cycle taking 2 minutes in total depending on how fast you turn 
handle.
Fix in Kodak Rapid fixer 12 minutes: 12 passes through tank (1 pass would be 
transferring entire roll from one reel to the other), each pass should take 
about a minute.
Final Rinse in water 25 minutes: Rinse film off well because any fix left on 
film will leave white marks behind. I fill the tank up with fresh water between 
each full cycle pass (full cycle pass would be transferring the entire roll of 
film from one reel to the other and then back again to first reel). I do this 
eight times, each full cycle taking 2 minutes in total depending on how fast 
you turn handle.

Sent from Outlook




On Mon, Jul 27, 2015 at 12:59 PM -0700, "Mark Street" <mstreet...@gmail.com> 
wrote:
ooops forgot to change the subject heading on this....

Hey Party Animals,
I plan on processing some 16mm Tri X reversal (as negative) in a bucket in
my basement next week.  Haven't done this in years.  Can someone point me
to a fairly current guide to how to do so?  Of course, I realize it'll be
mostly trial and mostly error.... But a start (chemistry, times etc etc)
would be appreciated.

all the best,

Mark Street
*www.markstreetfilms.com <http://www.markstreetfilms.com>*

On Mon, Jul 27, 2015 at 3:56 PM, Mark Street <mstreet...@gmail.com> wrote:

> Hey Party Animal,
> I plan on processing some 16mm Tri X reversal (as negative) in a bucket in
> my basement next week.  Haven't done this in years.  Can someone point me
> to a fairly current guide to how to do so?  Of course, I realize it'll be
> mostly trial and mostly error.... But a start (chemistry, times etc etc)
> would be appreciated.
>
> all the best,
>
> Mark Street
> *www.markstreetfilms.com <http://www.markstreetfilms.com>*
>
> On Sun, Jul 26, 2015 at 12:47 PM, Michael Betancourt <
> hinterland.mov...@gmail.com> wrote:
>
>> I have a piece on Joshua Gen Solondz's flicker film *Prisoner's Cinema*
>> that's up on Bright Lights Film Journal.
>>
>>
>> http://brightlightsfilm.com/technology-and-transcendence-on-joshua-gen-solondzs-prisoners-cinema-2012/#.VbT60vlViko
>>
>> Michael Betancourt
>> Savannah, GA USA
>>
>>
>> michaelbetancourt.com
>> twitter.com/cinegraphic | vimeo.com/cinegraphic
>> www.cinegraphic.net | the avant-garde film & video blog
>>
>> _______________________________________________
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>>
>>
>
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