Hi all, I'm wondering if people know of any texts that deal with the history of the flatbed editor--more in its capacity as a viewing/analysis machine than as an actual editing setup. I've found a few old articles on the Moviola in journals like American Cinematographer, but they're strictly trade press stuff, often just to advertise new product. I'm interested in how these devices like Moviola and Steenbeck helped foster new forms of film analysis (especially in the social sciences), and when they became affordable/available beyond big studio production. Any suggestions would be immensely helpful.
Thanks, Seth Watter PhD candidate, Modern Culture & Media Brown University Co-Director, Magic Lantern Cinema
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