What were the little motorized desktop Moviolas, the LV or LY? The one every college football coach had in his office, according to Hollywood? Some serious film analysis happened on those.
Of course a lot of us used Steenbecks to edit films… and still do. They were quite expensive so would not be commonly used by researchers not attached to institutions (or with large grants).
On Sep 5, 2015, at 6:09 PM, Watter, Seth wrote: Hi all, I'm wondering if people know of any texts that deal with the history of the flatbed editor--more in its capacity as a viewing/analysis machine than as an actual editing setup. I've found a few old articles on the Moviola in journals like American Cinematographer, but they're strictly trade press stuff, often just to advertise new product. I'm interested in how these devices like Moviola and Steenbeck helped foster new forms of film analysis (especially in the social sciences), and when they became affordable/available beyond big studio production. Any suggestions would be immensely helpful. Thanks, Seth Watter PhD candidate, Modern Culture & Media Brown University Co-Director, Magic Lantern Cinema _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Jeff Kreines Kinetta j...@kinetta.com kinetta.com _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ------------------------- _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
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