If anyone really wants to geek out on slit-scan
madness, of course the apex of the art came quite
early with Doug Trumbull's stargate corridor
sequence for 2001. This was an extremely baroque
studio setup with multiple moving planes of
room-sized artwork, front and back lighting,
motion control, and, of course, slit scan photography.
In 2002, someone extracted the original
production artwork by unwrapping the edited film footage:
http://seriss.com/people/erco/2001/
Nowadays live-action style slit scan is super
easy to accomplish with After Effects and other
2D applications. And of course, many of the
slit-scan classics (such as the Dr. Who main
title) are much more easily accomplished with 3D software.
Aaron
At 10/31/2016, you wrote:
John Whitney developed motion picture slit-scan
photography, and though he didn't really use it
in his own films, he did in his commercial
work. But it pretty quickly became a standard
tool for effects houses, showing up in
commercials, logos, special effects movies,
etc., so there are probably lots of examples out
there from a lot of effects people. Robert
Abel & Associates specialized in it.
Like here's one example from Abel:
<https://www.youtube.com/watch?v=XsYFjITWXSo>https://www.youtube.com/watch?v=XsYFjITWXSo
Mark Toscano
On Mon, Oct 31, 2016 at 10:07 AM, George,
Sherman <<mailto:sgeo...@ucsd.edu>sgeo...@ucsd.edu> wrote:
Every time the Enterprise goes into warp drive
and the narrative scroll in 2001.
Here is a link that is a pretty good explanation:
<https://vimeo.com/71702374>https://vimeo.com/71702374
Hard work on film but there must be an easier way digitally.
Sherman
> On Oct 31, 2016, at 6:22 AM, Kasper Lauritzen
<<mailto:byldorf.fi...@gmail.com>byldorf.fi...@gmail.com> wrote:
>
> Dear Frameworkers,
>
> I remember reading about slit scan
photography being used to make title sequences
where the static title is turned into a rolling
wave, by moving the printed title up and down.
I thought it was John Whitney who did it (I
could be wrong), but now I can't find it again,
and I forgot the original source.
> So does anyone have a clue which film, TV
series or advertisement that used this
technique specifically to make the "wavy title"?
>
> Thank you very much
> Kasper
> _______________________________________________
> FrameWorks mailing list
> <mailto:FrameWorks@jonasmekasfilms.com>FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
Sherman George
<mailto:sgeo...@ucsd.edu>sgeo...@ucsd.edu
<tel:858-229-4368>858-229-4368
_______________________________________________
FrameWorks mailing list
<mailto:FrameWorks@jonasmekasfilms.com>FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
_______________________________________________
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
--------------------------------------------------------------
Aaron F. Ross, artist and educator
http://dr-yo.com
http://digitalartsguild.com
_______________________________________________
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks