Also Bergman’s Persona > On Mar 22, 2017, at 2:12 PM, Gae Savannah <4...@gaesavannah.com> wrote: > > Cassavetes Opening Night > > Bergman Though a Glass Darkly > > > >> On Mar 22, 2017, at 1:23 PM, Gae Savannah <4...@gaesavannah.com> wrote: >> >> >> Gorgeous breakdown at the end of Last Year at Marienbad (Alan Resnais) >> >> The Hole (Tsai Ming Liang) very crazy, intense breakdown. >> >> Won Kar Wai —which one to pick?—most of them have twisted coping methods >> for devastated emotional conditions. >> >> Gus Van Sant Last Days (Cobain) >> >> >> I am also digging on childhood trauma theme for an MFA student. >> Would appreciate anything on that angle… >> >> Gae Savannah >> New York >> >> >>> On Mar 22, 2017, at 12:49 PM, Elizabeth McMahon <elizmcma...@gmail.com> >>> wrote: >>> >>> Polanski's "Repulsion." Alan Parker's "Birdy." Adrian Lynne's "Jacob's >>> Ladder." >>> >>> >>> On Wednesday, March 22, 2017, Gene Youngblood <ato...@comcast.net> wrote: >>> Friends, I’m seeking recommendations of feature films with scenes that >>> attempt to visualize inner states of mind such as breakdowns (Vertigo), >>> nightmares (Spellbound), acid trips (Easy Rider) or any other kind of >>> hallucination (Altered States). Ecstatic or horrific doesn’t matter. Thanks. >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks
j/PrM ************************************************* john muse visual media scholar haverford college he/him/his http://www.finleymuse.com http://www.haverford.edu/faculty/jmuse http://haverford.academia.edu/JohnMuse ************************************************* _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
