many other visual music films for that list, here's a few - More by Harry Smith, Films 2 and 3 and 11
Jordan Belson, Bop Scotch More by Hy Hirsh (no c in Hirsh), including Scratch Pad at least 4 or 5 films by Len Lye more by Norman McLaren Oskar Fischinger, Studie nr 5. On CVM's vimeo VOD channel, also on the forthcoming new Oskar Fischinger DVD next month, www.centerforvisualmusic.org/Fischinger/newdvd.htm Steve Woloshen, Shimmer Box Drive Cindy Keefer Center for Visual Music www.centerforvisualmusic.org CVM email - cvmaccess (at) gmail.com (original post) On Wednesday, November 8, 2017 5:14 AM, Albert Alcoz <albertal...@gmail.com <mailto:albertal...@gmail.com <albertal...@gmail.com>>> wrote: Hello, I was wondering about the connections between jazz music and avant-garde film after watching Bridges-Go-Round (1958) by Shirley Clarke, with the soundtrack version created by Teo Macero. There should be plenty of avant-garde and experimental films where the soundtrack is instrumental jazz music. Maybe the field of Visual Music should be the most represented but i'm sure there are other films like the one by Michael Snow that uses, in this case, free jazz music or improvisation. Does anyone remember some other avant-garde films with jazz soundtracks? Right my list is as follows: Begone Dull Care (1949) by Norman McLaren. Music by Oscar Peterson Films No. 1 (1948) by Harry Smith. Music by Dizzy Gillespie Chasse des Touches (1959) by Hy Hirsh. Music by Thelonious Monk Catalog (1961) by John Whitney. Music by Ornette Coleman New York Eye and Ear Control (1964) by Michael Snow. Music by Albert Ayler, Don Cherry, etc. Thanks in advance, Albert Alcoz
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