Fools have more to say, and more impact, than, for example, nit-picking grammar 
nazis.

Anyway, here is the counterargument, AGAIN! OK. I grant you all 5 of your 
points. As a fan of postmodernist approaches, the examination of every layer of 
every narrative in the stack *can* be worthwhile and interesting, especially 
for academics. I'm glad you are also a postmodernist.

But if you actually want to *understand* what some other agent is trying to 
say, you read *through* their text. You use it as a lens. If, every time you 
picked up your eyeglasses, you only looked *at* the lenses, those glasses would 
be useless as a tool. Every time you meet a missive focusing on the metaphors 
used, you are explicitly/purposefully misunderstanding the author. If metaphors 
are a tool, you're ignoring their tool-ness. You promote the means/tool to an 
end. [⛧]

People use their deeply embedded metaphors to communicate. If all you can do is 
yap about their metaphors, you are blocking their ability to communicate and 
your ability to understand what they mean.

I'll turn your moral back around on you. You can choose to ignore my counter 
argument, yet again. Or you can tell me why it's more important to look at the 
lens than through the lens. [⛤]


[⛧] A good analogy, here, is that of paraphilia 
<https://en.wikipedia.org/wiki/Paraphilia>. You have a fetish. Rather than a 
metaphor *enhancing* your ability to see the world, you've fetishized them. You think 
the metaphor *is* the world. Like a fetishist, you're aroused by the tool, not the 
objective.

[⛤] I can shunt a counter-counter argument in advance. In a mostly rhetorical 
world, if you merely look *through* the metaphor, you're at risk of being a 
victim of purposefully designed narratives, intended to exploit or mislead you. 
Therefore, a critical thinker must *also* look at the lenses, not merely 
through them. But this argument fails because if you can't even look through 
the lens in the first place, then you can never critically analyze how it 
[mis]directs your gaze. So the *first* and primary skill is to be able to look 
*through* metaphors. Looking at them is a secondary skill. And, like the 
grammar nazis, a fetish for the form preemptively excludes an understanding of 
the function.

On 3/19/26 1:10 PM, Nicholas Thompson wrote:
1. Metaphors are everywhere.  We can disclaim them all we like, but they are 
deeply embedded in the way in which we proceed from thought to thought.  They 
lurk in how professionals talk to one another and also in the manner in which 
professionals talk to the public.
2. There is a lot of evidence these days that scientists have "lost" the 
public.  This is a very dangerous situation. My suspicion is that this has to do with the 
metaphors we use when we talk to the public about what we do.
3.  We all seem to agree that there is truth and falsehood disguised in every 
metaphor.
4. Given the ambiguity of metaphors, I am interested in a method for 
understanding their role  in thought and communication, particularly in 
understanding the manner in which truth and falsehood is deployed in them.  How 
are we to distinguish between a better and a worse metaphor if all contain 
elements of falsehood. What am I to take from your metaphor?  What are you to 
take from mine?
5. Given the entanglement of truth and falsehood in metaphor, it's worth 
exploring distinctions between what implications a speaker intends by a 
metaphor, what the coherence of the metaphor can logically sustain by way of 
implication, and what implications hearers take from the metaphor.
--
¡sıɹƎ ןıɐH ⊥ ɐןןǝdoɹ ǝ uǝןƃ
ὅτε oi μὲν ἄλλοι κύνες τοὺς ἐχϑροὺς δάκνουσιν, ἐγὰ δὲ τοὺς φίλους, ἵνα σώσω.


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