Ed. you said:
However, there was a lot of frustration, almost as
though firing off job applications left, right and center, should somehow have
fixed things up, but, dammit, it didn't, so what am I still doing
wrong? Individualism, not common cause. Not what is wrong with the
system, but what is wrong with me because I no longer seem to fit.
Ed, this is typical of the Arts as well. People make an assumption
that they didn't get it right and that is why their art wasn't
acknowledged or bring them a living.
When in reality a 98% creative glut creates many "rights" and the choice of
who gets bought is pure subjective luck. If it wasn't an issue
of a profession and an important one, one could make the case for it as an
addiction to gambling. But the distinction lies between a
Hamlet or an Angels in America and Survivor
which is an aleatory drama game show. The "survivor"
performers would never be tolerated in either Hamlet or
Angels. But which is Art and which is
entertainment?
I will give you a hint. Art has entertainment as an element but
is not the point. Entertainment is relaxation. Art
is rarely relaxing. It is just possible that this first aleatorical
television drama game show will turn out to be some type of artistic
statement. The very things you hate about it are likely
the ugliness you are willing to accept in society for the economic story
you believe. (I find it interesting that Harry enjoys the
vulgarity while you are offended by it.) Aleatorical art is always banal
even though it is chance based and it's ugliness is often one of the things that
makes it Art.i.e. it reaches through to a truth that is often covered in even
the best literary scripts. The Japanese with some of their
television have understood that better than the West. You can find
some their outrageous ideas on the Men's channel here. Vulgar it is
but it sometimes cuts to the bone just as other great artistic
insights. Now that doesn't mean that it will stand as
art. Most of this stuff ends up as fodder for some literary artist
like Kushner to turn into more organized theatrical works. That is
what I find so amazing about Ned Rorem. What seems perfectly
predictable and tonal turns out on execution to be something very
different. Rorem's intricacies find their fertility in the
improvisations that do not last and even in some commercial music that will also
disappear. Rorem reaches through the true to the graceful and makes
it seem easy, like Edward Hopper's paintings. Its only hard if you
try to perform it well. But the truth of contemporary art is almost
always offensive.
That was certainly true in the 1980s in Soho and the Crucified Coyote and
Elephant Dung Madonna in New York were so offensive that they were censored even
though the underlying intent was true. In both cases the
reality destroyed the art for the audience. It was a real coyote
pelt and the elephant dung was real as well. Even though chemistry
has been a part of art for a long time, excrement has had a different meaning in
the West than in Africa where the artist was from and so it translated as
the reverse of the artist's intent. That's a tough
one. Art need only be a unique mirror but if it is good art it
will also do it exceptionally well.
Aleatory, chance or reality art is difficult to get right because a
camera makes choices for non-artistic reason. The thing that
economists love about aleatory art such as the "found" art and poetry is
that it is usually cheap. Actors are expensive, but you can promise
a million dollar prize and get people lined up around the block
for what is much less than you would pay a single professional.
If we were more sophisticated about the human brain and its
development we would train our children better and we wouldn't train just part
of the brain but all of the perceptual skills. Only then would we
truly know whether good genetic breeding is important or not.
We are so hopelessly inept with words and the handling of perceptual data and
non-intellectual skills that genetic testing is, in my opinion,
useless. As I told the Rockefeller University
psycho-linguists in the 1980s, you can take all of the language tests in the
world on the average person and learn little. The variables are too
great. If you want to test voice or language you have to test the
very best trained you can find and then compare them. Only then can
you rule out the possibility that they are just poorly trained.
A good example is the old story about being tone
deaf. Tone deafness is a common phrase in
the West. But in actuality, if it exists at all, it is so rare
that I have never experienced anyone who was. It is obviously
rare because over a billion Chinese speak their language just fine and it
is based upon intricate pitch tunings for meanings of words. If
being tone deaf was as common as all of these poorly trained folks who
can't sing in the West, then Chinese would have never existed as a
tuned language But I've heard Chinese
professional singers sing in totally different keys than the orchestra is
playing because the Western Overtone harmonies are not a part of their
tunings. I even heard a Westerner impugn a tenor's musicianship for
such poly tonalities. I wondered if he had ever sung Bartok's Oet
Dal which begins with a polytonal melody for baritone and piano that is as hard
as the dickens to keep from going mono-tonal. If he had then
he would have been amazed rather than derogatory. Yes it was wrong
but how could that tenor sing so perfectly in tune with himself and in another
key from the orchestra? \
Ray Evans Harrell
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Title: Re: Slightly extended (was Re: [Futurework] David Ricardo, Cavema n Trade vs. Modern Trade
- RE: Slightly extended (was Re: [Futurework] David Ricard... Cordell . Arthur
- Re: Slightly extended (was Re: [Futurework] David R... Thomas Lunde
- Re: Slightly extended (was Re: [Futurework] Dav... Ray Evans Harrell
- Re: Slightly extended (was Re: [Futurework] David R... Thomas Lunde
- Re: Slightly extended (was Re: [Futurework] Dav... Robert E. Bowd
- Re: Slightly extended (was Re: [Futurework]... Ray Evans Harrell
- Re: Slightly extended (was Re: [Futurework]... Ed Weick
- Re: Slightly extended (was Re: [Futurew... Ray Evans Harrell
- RE: Slightly extended (was Re: [Futurew... Harry Pollard
- Re: Slightly extended (was Re: [Futurework] Dav... Ray Evans Harrell
- RE: Slightly extended (was Re: [Futurework] David R... Cordell . Arthur
- Re: Slightly extended (was Re: [Futurework] David R... Thomas Lunde
- Re: Slightly extended (was Re: [Futurework] Dav... Ray Evans Harrell
- Re: Slightly extended (was Re: [Futurework] Dav... Ed Weick
- RE: Slightly extended (was Re: [Futurework] David R... Cordell . Arthur
- RE: Slightly extended (was Re: [Futurework] David R... Cordell . Arthur