On Thursday, 2 April 1998, Peter Chubb writes:
Hi Peter,
> Lilypond seems to get very confused when I explicitly ask for a
> double bar line. It complains about `junking request: Bar_req'. It still
Well, Lily is a little bit confused because you ask her to put two
double bar symbols one one staff.
> puts the bar lines in, but with too little space around them, and
> seems to assume that such bar lines do not terminate accidentals.
too little space?
> I've appended a standard hymn tune, `Diademata' in lilypond intput
> format.
i've made some 'corrections' and appended this new version.
see below.
> Check the output:
> -- missing bar line at the end of the first bar.
you added an extra partial 2*3 to the first measure.
> -- At what is labelled bar 9, the natural sign in the
> previous bar ought to be repeated, because of the
> intervening double barline.
yup, the measure is not ended, there.
> At the bar labelled 18 there's an unnecessary flat sign.
...
> -- The lines of the staff extend beyond the double barline at
> the end of each line rather than terminating exactly at
> the double barline.
Hmm, this is strange, i'll have to look further into this.
> -- The double barline is repeated at the start of the system
> following instead of the normal span.
?
Greetings,
Jan.
Jan Nieuwenhuizen <[EMAIL PROTECTED]> | LilyPond - The GNU music typesetter
http://www.digicash.com/~jan | http://www.cs.ruu.nl/people/hanwen/lilypond
\header {
filename = "diademata.ly";
enteredby = "Peter Chubb";
composers = "Sir G. J. Elvey";
date = "1868";
title = "Diademata";
metre = "6 6. 8 6. D";
}
sop=\melodic{
\octave c';
\voiceone
ees2 ees4 ees4 g2 g2 | c'1.
c'2 | bes2 ees aes g | f1.
f2 | g bes c' bes | a g4 ~ f bes2
ees'2 | d' ees' c' c' | bes1.
bes2 | bes g f ees | c'1.
c'2 | c' a g f | d'1.
d'2 | ees'2. d'4 c'2 bes | aes f g
bes2 | aes g f f | ees\breve
}
alt=\melodic{
\octave c';
\voicetwo
'bes2 'bes4' bes4 ees2 ees2 | ees1.
ees2 | ees ees d ees | d1.
d2 | ees f ees g | ees c f
ees2 | f g c f | d1.
d2 | ees ees d ees | ees1.
e2 | f f ees ees | d1.
f2 | ees ees ees ees | ees d ees
ees | ees ees ees d | ees\breve
}
ten=\melodic{
\octave c;
\voiceone
g2 g4 g4 g2 g2 | aes1.
aes2 | bes c' aes bes | bes1.
bes2 | bes bes g g | c' a bes
a2 | bes bes bes a | bes1.
bes2 | bes bes aes bes | c'1.
bes2 | a c' bes c' | bes1.
bes2 | bes bes aes bes | c' bes bes
bes c' bes bes2. aes4 | g\breve
}
bass=\melodic{
\octave c;
\voicetwo
ees2 ees4 ees4 c2 c2 | 'aes1.
aes2 | g aes f ees | 'bes1.
'bes2 | ees d c ees | f ees d
c2 'bes ees f f | 'bes1.
aes2 | g ees f g | aes1.
g2 | f f g a | bes1.
aes2 | g g aes g | f bes ees
'g2 | 'aes ees 'bes 'bes | ees\breve
}
one = \melodic{
% this is what you (logically) had:
% \partial 2; \skip 2*1; | \skip 2*4; | \partial 2*3; \skip 2*3;
% but shouldn't the actual musical *definition* be this:
\meter 1/2;\skip 2*1; | \meter 4/2;\skip 2*4; | \meter 3/2;\skip 2*3;
% but then without *displaying* the meters (see paper block below)?
\bar "||";
}
global = \melodic{
\meter 4/2;
\key bes ees aes;
\skip 2*4; |
% see comment above
% \partial 2*3; \skip 2*3; \bar "||"; |
\meter 3/2; \skip 2*3; \bar "||"; |
\one \one \one \one
\one \one \one
\bar "|.";
}
% now have only one || request per staff
$upper_staff = \type Staff = upper<
\global
\clef "violin";
\sop
\alt
>
$lower_staff = \type Staff = lower<
\global
\clef "bass";
\ten
\bass
>
\score{
<
\$upper_staff
\$lower_staff
>
\paper {
linewidth= 120.0\mm;
gourlay_maxmeasures = 6.0;
%remove meter-engraver
Staff = \translator {
\type "Engraver_group_engraver";
defaultclef = violin;
\consists "Bar_engraver";
\consists "Clef_engraver";
\consists "Key_engraver";
% \consists "Meter_engraver";
\consists "Local_key_engraver";
\consists "Staff_sym_engraver";
\consists "Collision_engraver";
\consists "Rest_collision_engraver";
\consists "Separating_line_group_engraver";
\consists "Line_group_engraver";
\accepts "Voice";
}
}
}
