WRANGLERS AND STRANGLERS

Years ago there was a group of brilliant young men at the University
of Wisconsin, who seemed to have amazing creative literary talent.
They were would-be poets, novelists, and essayists. They were
extraordinary in their ability to put the English language to its
best use. These promising young men met regularly to read and
critique each other's work. And critique it they did!

These men were merciless with one another. They dissected the most
minute literary expression into a hundred pieces. They were
heartless, tough, even mean in their criticism. The sessions became
such arenas of literary criticism that the members of this exclusive
club called themselves the "Stranglers."

Not to be outdone, the women of literary talent in the university
were determined to start a club of their own, one comparable to the
Stranglers. They called themselves the "Wranglers." They, too, read
their works to one another. But there was one great difference. The
criticism was much softer, more positive, more encouraging.
Sometimes, there was almost no criticism at all. Every effort, even
the most feeble one, was encouraged.

Twenty years later an alumnus of the university was doing an
exhaustive study of his classmates' careers when he noticed a vast
difference in the literary accomplishments of the Stranglers as
opposed to the Wranglers. Of all the bright young men in the
Stranglers, not one had made a significant literary accomplishment of
any kind. From the Wranglers had come six or more successful writers,
some of national renown such as Marjorie Kinnan Rawlings, who wrote
The Yearling.

Talent between the two? Probably the same. Level of education? Not
much difference. But the Stranglers strangled, while the Wranglers
were determined to give each other a lift. The Stranglers promoted an
atmosphere of contention and self doubt. The Wranglers highlighted
the best, not the worst. (Author Unknown).



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