And for question 2, it's a bit trickier as you should dig into the
oaeternedeus.tex file, search for
\gresyllable{F}{i}{}{0}{l}{i}{0}{}{%
\greglyph{\char 11280}{j}{k}{2}%
{%
}{}%
}%
and change it into
\gresyllable{F}{i}{}{0}{l}{i}{0}{}{%
\greglyph{\char 11280}{j}{k}{2}%
{%
\greadditionalline{18}{0}{2}%
}{}%
}%
Yours,
Olivier
2013/2/24 Olivier Berten <[email protected]>:
> For question 1, you can just remove the line "\usepackage{luatextra}"
> in Hildegard_main.tex
>
> Olivier
>
> 2013/2/24 Innocent Smith <[email protected]>:
>> PS: This is an inelegant solution to your second question, but you can add
>> an ! after the first note which produces a neume which is less attractive
>> but melodically clear:
>>
>> Fi(j!il)li(k)um(j)
>>
>>
>> On Sun, Feb 24, 2013 at 10:54 AM, Innocent Smith <[email protected]>
>> wrote:
>>>
>>> Dear Sr. Maria Ruth,
>>>
>>> For number three, you might consider having the clef change before the
>>> euouae, perhaps before "et perduc nos" or "in laetitiam".
>>>
>>> To answer number four, you can add a custos by putting z0 before the clef
>>> change: (z0c3) . (The example on http://home.gna.org/gregorio/gabc/details
>>> includes a :: between the z0 and c3 because the clef change coincides with a
>>> double bar, but the :: can be omitted and the custos still appears.)
>>>
>>> I have not had occasion to set chants that have such a wide range as
>>> Hildegard's, though, so I haven't spent too much time thinking about the
>>> aesthetics of printing clef changes. Perhaps others may have aesthetic
>>> recommendations.
>>>
>>> Best wishes for your work.
>>>
>>> Fraternally,
>>>
>>> bro. Innocent Smith, op
>>> Dominican House of Studies,
>>> Washington, DC
>>>
>>> On Sun, Feb 24, 2013 at 7:32 AM, ABBAZIA BENEDETTINA MATER ECCLESIAE
>>> <[email protected]> wrote:
>>>>
>>>> Dear Gregorio-users,
>>>>
>>>> I write from the Abbazia Benedettina “Mater Ecclesiae” (Isola san Giulio,
>>>> Italy).
>>>>
>>>> We’d like to use Gregorio software to prepare some choral publications
>>>> for our own, and I’m dealing with some problems I need to solve, so I’m
>>>> asking you for an help. Attached files are the .gabc, .tex and .pdf files
>>>> of
>>>> a St. Hildegard antiphon I wrote, in which I show you my first problems:
>>>>
>>>> 1. How can I comment the “gregoriotex” heading? Elie Roux told me not
>>>> to hesitate to ask you, for this is an almost solved bug.
>>>>
>>>> 2. In the 5th line, the third note of the porrectus on Fi (Filius)
>>>> should have an additional cut, for it’s a g (“l” in .gabc), but it does
>>>> not…
>>>>
>>>> 3. Last line starts with two clefs, instead of just one… I think it
>>>> is because of the clef change happens just at the beginning of a new line…
>>>> what should I do?
>>>>
>>>> 4. In the 2nd line, before the first clef changing, I’d like to have
>>>> the relative custom (it should be an e – a “l” in .gabc)…
>>>>
>>>>
>>>>
>>>> Thanks a lot for everything you could do for us!
>>>>
>>>>
>>>>
>>>> Sincerely yours,
>>>>
>>>>
>>>>
>>>> Sr. Maria Ruth osb
>>>>
>>>>
>>>> _______________________________________________
>>>> Gregorio-users mailing list
>>>> [email protected]
>>>> https://mail.gna.org/listinfo/gregorio-users
>>>>
>>>
>>
>>
>> _______________________________________________
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>>
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