Thank you all for the answers about the bodice lining; I may very well
have some navy blue cotton for lining, and it MIGHT be enough, but I have
other cottons that might work.    I just want to go with what might be
"most commonly used".  I am making the whole dress up in a lightweight
gray wool as well (since I ahve a load of it as well as matching
lining)--She'll have an extra outfit, but I will be able to see that
every part fits correctly (although the mock-up fits great), and I"ll
work out the buttons, closures etc.

Yours in costuming, Li sA 


On Wed, 09 Jun 2010 18:09:38 -0700 Lavolta Press <f...@lavoltapress.com>
writes:
> 
> 
> On 6/9/2010 4:24 PM, Lisa A Ashton wrote:
> > Also, should I plan to use a cotton or linen for the lining? Or 
> could I
> > use a silk?  Because if silk would be acceptable for teh lining, I 
> have a
> > nice medium weight silk that I could dye myself, and I have lots 
> of it.
> > I am using a lightweight cotton for the interlining, the fabric is 
> a
> > calico cotton that an average weight--what you would use for 
> quilting.
> 
> 
> I have an original early 1860s high-necked sheer cotton dress in a 
> dark 
> green stripe, with a low-necked black taffeta bodice lining. I've 
> always 
> assumed the lining might have been recycled from something else and 
> was 
> used for economy.
> 
> I also have an original brown silk 1850s dress with a floral printed 
> 
> calico lining with a brown background.
> 
> Usually you see a glazed cotton but in washable dresses, the glaze 
> is 
> often gone by now. White for white dresses, black for black dresses, 
> 
> various shades of brown for most.
> 
> But as with the first two examples, dressmakers sometimes used what 
> they 
> had around that was the right weight.
> 
> Fran
> Lavolta Press
> Books on making historic clothing
> www.lavoltapress.com
> 
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> 
 
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