We are pleased to offer the following item for your Jewish Art collections:
“Eva Hesse: Catalogue Raisonne. Volume I: Paintings. Volume II: Sculpture.”
Two volumes in Slip-Case.
Volume I edited by Renate Petzinger, Barry Rosen and Anette Spohn. Volume II
edited by Barry Rosen and Renate Petzinger, with Jörg Daur. New Haven,
Conn., Museum Wiesbaden and Yale University Press. , 2006. Large quartos,
gray cloth with black spine lettering, 327 pp., color illustrations
throughout, b/w photo of Hesse, biography, exhibition history, bibliography,
photo credits + 391 pp., b/w and color photos throughout, photo credits. In
a blue-gray cloth covered slipcase. Hardbound. Very Good. Foreword by Volker
Rattemeyer. (70041)
$75.00 postpaid. (Originally published at $250.00)
The Estate of Eva Hesse joined forces with Museum Wiesbaden, Hauser & Wirth
and Yale University Press to compile a catalogue raisonné of Hesse's
sculptures, paintings, and works on paper.
Volume 1 is devoted to Hesse's paintings; it documents 133 works, including
over 20 previously unknown and unrecorded works. 44 student works and 89
works from the period 1960-65 are included.
Volume 2 is devoted to Hesse's sculptural works, created between 1965 and
1970, including 23 previously unrecorded works. The volume incorporates new
photography on a substantial number of works, including individual
photographic records of Hesse's Test Pieces. It also includes important
archival material, including photographs of the artist's studio.
The works on paper are documented in the third and fourth volumes of the
catalogue raisonné, are scheduled for publication in 2014. These two volumes
will comprise some 650 drawings, watercolors, gouaches, collages and
photograms, including 150 student works. As Yale University Press has sold
off their stock of these first two volumes it may be inconvenient to attempt
to complete a full set later.
If you feel that you have seen Hesse's work the first volume should offer a
great surprise. The quantity and verve of her paintings a startling contrast
to her better known and more "classical" sculptural work.
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