This story is true... and it is since I know one the the guys that owns another 
one of these Alex's and was also a member of the band... is that in the 1930 or 
earlier Jaenicke and other members of the New York Phil winds were hired to go 
to Germany and buy instruments for a professional band here in Niagara Falls 
NY.  Mr Jaenicke brought back five or six horns, and I think??? I have the only 
one left.  The Gentleman that owned the band... and I cannot remember his 
name.... owned what is now the Carborundum chemical company, and loved music 
and 
bands.  

 
The short of the story is that I own and have played for the last thirty five 
years one of the Alex's that he picked out for the band.  It is suppose to be a 
model that Alex made especially for him and was named after him?????  That I 
don't know-for sure but it is a small 103 where as my other 103 is much larger 
and has a much larger lead pipe.  The mouthpiece from the big horn won't fit 
into the small Alex lead-pipe,
 
And the most remarkable thing about the horn is the swastika that is very 
carefully hidden on the thumb valve cover.  However it looks more like the 
Hindu 
symbol for good fortune that the true swastika.  

 
Very interesting horn.  Wonderful chamber horn.
 
Milton 

Milton Kicklighter
4th Horn Buffalo Philharmonic
Retired 




________________________________
From: Chris Wilhjelm <[email protected]>
To: [email protected]
Sent: Tue, August 10, 2010 8:06:30 PM
Subject: Re: [Hornlist] 1926 NY Phil

Great Post Peter, it really is amazing isn't it? - what a gift!
Chris

>>> Punto 08/09/10 10:02 PM >>> 
This really raised the hairs on my arms, listening and viewing Jaenicke 
(with Santiago Richart, the Schulzes (Adolphe and Richard) and Louis 
Ricci, maybe? - I have a book with pictures of all the section dating 
from 13 years later and it is hard to tell if they are the same faces or 
not) and a long stretch focused on the legendary Harry Glantz leading 
the trumpets towards the end. I never thought I'd see these players in 
their prime and in such pristine image and sound. Consider for a moment 
that, fifteen or sixteen years before the filming, this orchestra was 
playing under the baton of Principal Conductor Gustav Mahler. Now listen 
to it one more time and let it all sink in. 

Peter Hirsch 

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