Good for you Hans.  And may you "climb" many many more mountains.  The Happiest 
Holidays. 

 Milton
Milton Kicklighter
4th Horn Buffalo Philharmonic
Retired 




________________________________
From: Hans Pizka <[email protected]>
To: The Horn List <[email protected]>
Sent: Mon, December 20, 2010 1:50:46 PM
Subject: Re: [Hornlist] Cuivre

Hello dear friend !

Great story.  This composer is a real "A.....H" in our language.

Merry Christmas to You & a good transition to the New Year 2011 !!!

Passed all my biennial checks & added heart katheter on recomm. of my medic.
All turned out fine, nothing out of norm. Fortunately. High mountains still 
waiting
for me. Just started training accompanied by my wife, you remember, leaving the
car in the garage (still Alfa 156 turbo diesel 2.400 cc) and walk shopping, walk
postoffice 6 kms every day no matter if the clouds bring snow, rain or shit 
(hoho).

Cannot wait for more snow, so to walk around the village using snow-shoes. Also
cannot wait for spring to bike around.

Keep things stiff, my friend.

As always yours

Hans
#########################################################################
Am 20.12.2010 um 19:35 schrieb [email protected]:

> Good story, Hans!  I did similar in Minneapolis some years back.  We were 
> recording a piece of S**T by our rather arrogant composer in residence  at 
> the time who will remain anonymous.  He was coming out to the podium to  give 
> instructions both to our conductor and us before each take.  At one  point 
> he looks at the horns and says:
> 
> "Horns, bar 355, cuivre!"
> 
> 4th horn: "you want it stopped?"
> 
> "No!  I want Cuivre!"
> 
> 3rd horn: "You want it louder?"
> 
> "No!  Cuivre!  CUIVRE!"
> 
> 2nd horn: "What exactly do you want?"
> 
> "I've told you over and over, I WANT IT CUIVRE!!!"
> 
> 1st horn (moi) standing up and pointing at my third valve cap "OK.  Got 
> it!  We'll just push our cuivre buttons.  No problem!"
> 
> We just played it so loud it would peel paint.  After the next break,  he 
> came back for more instructions for others and then looked at us and  said:
> 
> "And oh, horns, that was simply marvelous!  Leave those cuivre buttons  on 
> all day!"
> 
> KB
> 
> 
> In a message dated 12/20/2010 1:00:59 P.M. Eastern Standard Time,  
> [email protected] writes:
> 
> Message:  12
> Date: Mon, 20 Dec 2010 10:56:09 +0100
> From: Hans Pizka  <[email protected]>
> Subject: Re: [Hornlist] The Girl from Arles
> To:  The Horn List <[email protected]>
> Message-ID:  <[email protected]>
> Content-Type:  text/plain; charset=iso-8859-1
> 
> Sorry, Martin,
> 
> bells up might be  right for certain compositions but not for L?Arlesienne.
> One has to take  the compositions title into consideration also.
> 
> I produced a scandal  about "cuivre" and its interpretation, years ago, 
> with 
> famous conductor  Igor Markevich, in front of the orchestra. He insisted 
> always: "blay  
> kuivree, KUIVREE !!" - I said (playing light weight brassy as usual in  
> French music):
> "Sorry, Maestro, I am doing it always as written in my  part." - "Thaz not 
> Kuivree ! Kuivree 
> mast be pouchee !" - "Sorry, Maestro,  the one has nothing to do with the 
> other !" -
> "You blay kuivree as pouchee  now !" - "Sorry, Maestro, how should I play 
> this passage: 
> cuivre or bouche  ?" - No more from the maestro. I played the passage 
> French style light  
> weight brassy with a bit stressy embouchure. It worked fine & sounded  fine.
> 
> But Markevich denounced me at the administration, who sent me a  warning 
> letter. 
> But they had to draw back the warning letter, as they had  forgotten to 
> hear my version 
> of the case first.
> 
> Markevich was a  quite well known conductor, but famous for his despotic 
> attitudes. But a  
> guest conductor must not behave like he  did.
> 
> _______________________________________________
> post: [email protected]
> unsubscribe or set options at 
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