I thought all of the hot air we got was bad enough as it is, so you make a  
good point.
 
-William
 
 
In a message dated 4/21/2011 2:15:54 P.M. Eastern Daylight Time,  
[email protected] writes:

Please,  William, do not give such informations to living composers, 
As they Mighty  use this Special physical sensations As apart of their
Creations, perhaps.  Who knows.

Regstes from South Brazil

Hans

Von meinem iPad  gesendet

Am 21.04.2011 um 15:03 schrieb [email protected]:

>  Sound waves have a lot to do with the medium they travel through. They   
> propagate at different speeds in different fluids. If you ever want  to 
try  
> something amusing on an old horn, take a vial of  tetrafluoroethane 
(compressed  
> air duster can) and squeeze a bit  into your horn, then play. DO NOT 
INHALE 
> THIS  GAS. Breathe in  well away from the instrument. You'll find a very 
> amazing pitch   change as the gas changes from tetrafluoroethane to 
'air'. 
> 
>  If you can find a helium tank, try it out. If you can afford a sulfur   
> hexaflouride tank, also try it out. I've never done it, but from what  
I've heard 
> it do to the human voice it could really give you a super  low range ;)
> 
> Just don't breathe those gases in without  knowing the consequences - or 
how 
> to get sulfur hexaflouride out of  your lungs.
> 
> -William
> 
> 
> In a message  dated 4/21/2011 1:58:09 P.M. Eastern Daylight Time,  
>  [email protected] writes:
> 
> 1.  Because sound waves  travel faster the hotter the air column is.
> 
> 2. I  have  no first hand experience with horns, but from my trombone 
>  experiences  
> I know, that an instrument made out of thin gauge  red brass is much more 
 
> sensitive to ambient temperature,  especially during long rests, than  
> instruments 
> out of  thicker gauge yellow brass. Thickness is a factor as is  the heat 
 
> conductivity of the alloy. The thin gauge instrument then also   will 
raise 
> in 
> pitch much sooner with continuous playing.  
> 
> 3. With  the tuning fork the length of the branches is  a factor, so that 
a 
> tuning  
> fork theoretically would  flatten when heated.
> 
> When metal string  guitarists, as  in rock bands, are going for an indoor 
> tune up 
> for for  an  outdoor evening concert with fixed pitch electronic 
keyboards,  
> then 
> they  tune slightly flat. With the lower outdoor  temperatures the metal 
> strings  
> will shrink thereby  raising the  pitch.
> 
> Klaus
> 
> 
>  
> ________________________________
> From:  valerie wells  <[email protected]>
> To: horn list 2 memphis   <[email protected]>
> Sent: Thu, April 21, 2011 7:28:17 PM
>  Subject:  [Hornlist] Temperature & pitch
> 
> I would be  grateful to anyone who  even attempts to answer the following
>  questions for me.
> 
> 1. Why does  a warm horn play sharper  than a cold horn?
> 2. Would different alloys effect  how much the  pitch changes with
> temperature?
> 3. And finally, does a   tuning fork go a little sharp when it's  warmed?
> 
>  Thanks.
> 
> Valerie
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