Aural geniuses among trombone players may be able to play any desired 
microtonal 
step at will. Mere mortals trained within the diatonic and chromatic scale 
system prefer a technique allowing for a very high degree of predictability 
between slide positions and relative pitches. That technique has a Danish term 
translatable to something like ear-in-the-arm. A well established technique 
allows for very fast adjustments, but a well tuned instrument makes 
performances 
very much easier. So if I had to play all positions short in a given context, I 
pushed my main tuning slide in, and long positions made me pull the main tuning 
slide. 

Our tuning standard used to be A=440Hz and my then main instrument could be 
taken to 443 and no higher. Once I was, in a band, a ringer on 1st trombone, 
where the solo cornet was allowed to play at A=446Hz. Pure pest.

Hans may find that the section players have to adapt to the lead. I will agree 
in emergency situations, but lead players regularly straying in either pitch 
direction should not stay lead players for very long. 

Klaus



________________________________
From: "[email protected]" <[email protected]>
To: [email protected]
Sent: Fri, April 22, 2011 4:43:03 AM
Subject: Re: [Hornlist] Temperature & pitch

That always reminds me of a really good puzzler that I never quite figured  
out. I never could figure out any reason other than not listening as to why 
a  good trombone player would ever play out of tune since the whole thing 
is a  tuning slide. Yet, if I had a nickel for every time I heard it I'd 
probably have  close to a hundred dollars or more.

Horn players also have an advantage too with the right hand, but right hand 
usage isn't always taught proficiently. Then again, not many people can 
figure  out how to tune their instruments, either. 

(Present company excluded, of course)

There are also people who don't know how to use the left lane on the  
highway, how to make popcorn in the microwave, figure out how to research their 
 

local politicians, etc. Sometimes you just have to shrug it off and move on. 
Such is life! 

-William


In a message dated 4/21/2011 10:36:17 P.M. Eastern Daylight Time,  
[email protected] writes:

Yes, we  had a caricature of Dr.Karl Boehm as a big turtle & his head, but
with  the inscription: "It is said, they might live up to 300 years !"

Movie  "Enemy mine" had a nice reptilian alien, but also nice horn melodies
in the  sound track reminding to R.Schumann´s Spring Symphony. We recorded 
that in a  rush
and ende recording 8 days before the premier. If I recall well, it was  by 
Maurice Jarre.

Regarding all that room temp stuff: don´t we have  tuning slides to adapt 
quickly, even
during  performance.

#######################################################################
Am  21.04.2011 um 21:36 schrieb [email protected]:

> The only reptilian  aliens I know are in front of the orchestra gyrating 
or  
>  re-enacting their  ritualistic mating dance and waving a stick.
>  
> Wes Hatch
> 
> 
> In a message dated 4/21/2011  1:17:10 P.M. Central Daylight Time,  
> [email protected]  writes:
> 
> That's  the advantage of being warm-blooded. If  there are reptilian 
aliens  
> 
> out there that play bands -  their warm ups would probably be a lot 
longer  
> than   ours...
> 
> Just joking!
> 
> -William
>  
> 
> In a  message dated 4/21/2011 2:11:36 P.M. Eastern  Daylight Time,  
> [email protected]  writes:
> 
> Hi   Klaus
> 
>>  
>> 2. I have no first hand experience with horns,  but   from my trombone
>> experiences
>> I know, that an   instrument made  out of thin gauge red brass is much 
more
>>  sensitive to ambient  temperature, especially during long rests,   than
>> instruments
>> out of thicker gauge yellow  brass.  Thickness is a factor as is the  
heat
>>  conductivity of the alloy.  The thin gauge instrument then also   will 
> raise
>> in
>> pitch  much sooner with  continuous  playing.
>> 
> 
> All of this will  be  about how quickly the air column  inside the tubing 
>  heats
> up and  cools down.
> 
> The interesting thing  is  that the air coming out of  your mouth has a 
>  pretty
> constant temperature  irrespective of the room   temperature. Therefore, 
the
> effect of room  temperature on horn  tuning  is fairly limited, in that 
of 
> the
> room is  cool,  your horn and the air  inside will cool more quickly.  
That
> effect can be  minimised by  blowing a lungful of air  down the horn 
towards
> the end of a  longer  rest so that the  inside of the horn is more nearly 
at
> boy  temperature  when  you make your next entry.
> 
> Regards
>  Jonathan   West
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