There seems to be a whole lot of talking past each other. Hans and a few others point out that intonation is a continous process. You have to listen to how you sound in the ensemble.
A conductor could spend 95% of a community orchestra's rehearsal time tuning each individual. Even then, once the group started playing, it could all be for naught if intonation began to change and players could not adjust. _______________________________________________ post: [email protected] unsubscribe or set options at https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/archive%40jab.org
