I have found this discussion most interesting.  Empirically (well known to
experts) pitch is lowered with distance even though theoretically
(simplistically, certainly) it should remain constant.  I tried a simple
experiment to test this.  I recorded myself playing an open C (third space,
or C'') on the F horn at close distance (about 2 meters) and in a different
room (about 8 meters from the recorder).  I used a Zoom H2 with mic level
set to medium and record level of 100, recorded to wav format, then analyzed
the power spectrum in Audacity.  The result is that the main spectral peak
for my C (concert F4, 353 Hz, according to Audacity) did not change, but
every higher overtone peak was about 5-10 cents flat.  The relative
amplitude of these higher overtone peaks was not significantly changed even
though I thought I could hear a difference in tone between near and far
recordings.  So, theoreticians, you are correct when referring to the
lowest, largest peak that defines the frequency of the note being played,
but you experts are also right when all of the overtones are taken into
consideration.  It does seem that our perception of pitch is sensitive to
these.

Here are my results:

Overtone frequencies and amplitudes as reported in the Spectra window of
Audacity:

          Near (2m):               Far (8m):         Difference:    Cents:

F4       353 Hz 3.6dB        353Hz -16.9dB        0Hz             0

F5       707 Hz 5.3dB       704Hz -10.0dB       -3Hz         -7.4

C6     1061Hz -10.4dB    1057Hz -13.8dB      -4Hz          -6.5

F6     1415Hz -11.1dB    1408Hz -20.7dB      -6Hz          -8.6

A6     1765Hz -26.2dB    1760Hz -23.7dB      -5Hz          -4.9

C7     2122Hz -22.5dB    2116Hz -42.0dB      -6Hz          -4.9

D#7   2471Hz -35.5dB    2467Hz -41.5dB      -4Hz          -2.8

F7     2829Hz -29.5dB    2814Hz -48.7dB     -15Hz         -9.2

G7    3187Hz -41.1dB    3169Hz -41.1dB     -18Hz         -9.8

A7    3533Hz -45.8dB    3521Hz -46.3dB     -12Hz         -5.9

A#7  3895Hz -45.5dB    3874Hz -53.9dB     -21Hz         -9.0

C8   4250Hz -43.6dB    4228Hz -59.4dB      -22Hz         -9.0

D8   4597Hz -46.8dB    4580Hz -54.7dB     -17Hz          -6.4

D#8 4954Hz -55.0dB    4931Hz -59.4dB     -23Hz          -8.1

E8   5312Hz -61.0dB    5278Hz -64.3dB    -35Hz         -11.1

F8   5668Hz -59.8dB    5641Hz -69.9dB    -27Hz          -8.3

-- 
Jeffrey S. Barker
Assoc. Prof. of Geophysics, Binghamton University
Faculty Master, Dickinson Community
(607) 777-2522 (Geology)  (607) 777-2826 (Dickinson)
http://bingweb.binghamton.edu/~jbarker/
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