Dear horn listers,

My performance of the premier of "Zylamander" for horn and computer has been 
moved to Wednesday, June 22 at 3:30 p.m. at San Francisco State University at 
the IHS Symposium.  Hope you can be there.  Here are program notes from the 
composer:

Zylamander was commissioned by Luke Zyla, with support from the Meir Rimon 
Commissioning Assistance Program of the International Horn Society. It is one 
of a series of works I have written for solo instruments and computer, the 
first of which was called Gerrymander, written for the clarinetist, F. Gerard 
Errante. The focus of these works is on exploring various kinds of interaction 
between a live performer and a computer "accompanist." The computer captures 
material played by the solo instrument during the performance and uses that 
material (as well as some pre-recorded sounds) to build a musical accompaniment 
that is always similar, but never exactly the same, from performance to 
performance. Zylamander relies heavily on pitch tracking throughout the piece, 
not only to follow the score and keep pace with the performer, but also for 
sample triggering, contrapuntal harmonization, and other "intelligent" effects. 
In all of these pieces, I have tried to take advantage of the ful
 l range of sounds that these wonderful acoustic instruments can make in the 
hands of a great performer. Like a good accompanist, the computer supports and 
enhances the performance of the soloist, but hopefully, never obscures or 
overshadows it. RP


Russell Pinkston currently resides in Austin, Texas, where he is Professor of 
Music Composition and Director of Electronic Music Studios at The University of 
Texas at Austin. He holds degrees from Dartmouth College (BA 1975) and Columbia 
University (MA 1979, DMA 1984). He is active both as a composer and as a 
prominent pedagogue and researcher in the field of computer music. His 
compositions span a wide range of different media, including symphonic, choral, 
and chamber works, electronic music for modern dance, and interactive 
performance pieces. He has received a number of significant honors, including a 
Guggenheim Fellowship, the Charles Ives Fellowship from the American Academy 
and Institute of Arts and Letters, and a senior Fulbright Fellowship to Brazil. 
He is a founding member and former President of the Society for 
Electro-Acoustic Music in the U. S., and has served as an ICMA Regional 
Representative for the Americas. 

CORdially,

Luke Zyla
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