William, This is tricky.  About the only thing I could suggest is to try a
completely different tonguing technique separate and apart from your normal
playing for a trial period.  You might try tonguing on the lips on simple
scales, double tonguing exercises and tunes for about 4 or 5 minutes day,
then forget about it and play your regular way for the rest of the day.  Do
this consistently over time.  If at any point this tonguing technique sounds
better than your regular tonguing, then you can apply this technique to all
your playing.  If not, then ditch this method & try something else.  But
whatever you do, do it systematically & methodically.  Don't go monkeying
around with all sorts of new things at once.  Try one method consistently
over time, then try another one consistently over time to avoid confusion.

If you're not familiar with tonguing on the lips (TOL), it's a tonguing
method that involves touching the tip of the tongue to the aperture as if
you were spitting out a tiny seed or eye lash from the tip of your tongue.
You can actually learn this technique by spitting out grains of rice between
your lips.  TOL is used in various forms in various methods (BE, TCE, Suzuki
flute, etc.) both for a normal tonguing method and for developmental
purposes.  It can be very helpful especially for developing clean, soft
attacks in the high register.

If you're already tonguing this way, try something different, like the more
traditional tonguing on the back of the teeth.

About the air tone thing.... I wouldn't have a clue how to help that.  Maybe
a master teacher like Wendell Rider could help.

My 2 cents.

Val

-- 
Valerie Wells
The Balanced Embouchure Method
http://bebabe.wordpress.com/
http://www.beforhorn.blogspot.com/

Message: 10
Date: Sun, 26 Jun 2011 22:38:41 -0400
From: William Bard <[email protected]>
Subject: [Hornlist]  Articulation and 'airy' sound issues
To: The Horn List <[email protected]>
Message-ID: <[email protected]>
Content-Type: text/plain; CHARSET=US-ASCII

I've been playing the horn some seven years, having just graduated high
school, and I will begin attending the Eastman School of Music this fall for
a degree in Horn Performance. However, before I get up there and start
school, I really thought I should ask the members of this board for some
advice on an issue (I think it's an issue...) I've been noticing lately in
my playing.

Back in February I had a lesson with Rick Solis out in Cleveland, and he
pointed out that often times, when I articulate, it sounds almost as though
the tongue is rebounding, or something is happening to make the tonguing not
quite so clear and more blatty sounding. I've especially noticed this when I
play loud or technically difficult passages.

He and Rich King both pointed out to me in my audition for the Cleveland
Institute of Music that it was something I really have to work on and fix
over the next few years; otherwise it could spell big problems for my
playing. They said it will "hopefully go away" over time, but this still
really worries me.

In addition, I can't help but notice an extra sort of buzz to my sound, when
I play. At times, it is even very airy sounding. I can't figure out yet if
this is my horn that is vibrating ever so slightly along with the pitches
I'm playing, or if this is an internal sound that I'm hearing as the note
vibrates through my mouth and possibly through my teeth, or what the heck
this is.

Obviously, when I take the horn away and buzz on the mouthpiece, it's not
just the sound of the note I hear, as I can also hear the air flow moving
through the mouthpiece. Is tongue placement or something else possibly
amplifying the airflow or sound of my buzz, so that it becomes noticeable IN
ADDITION to the sound of the horn, itself?

Does anyone have any suggestions or advice regarding this? Or, furthermore,
is this truly an issue, or is it actually somewhat normal? This is really
puzzling to me and I really hope to get it figured out before it's too late!
Thanks so much.

-William Bard
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