Hello William,

I'd suggest exercise #1 from the "Standley Routine" which is available from 
Southern Music Company for about $10.00.

Set your metronome at 60-72 to the quarter note, and play the exercise as 
written, playing exclusively on the F side. It may not look particularly 
challenging, but practise it using the approach that each note is a "first 
attack" and make sure to take your mouthpiece off your lip in between each 
attack, then re-set for each note. 

I have found this practise routine to be helpful for accuracy, as well as a 
pre-rehearsal warm up.

Best wishes, 
martin bender






On 2011-08-24, at 4:05 PM, [email protected] wrote:

> 
> 
> 
> I've been giving some thought to the answers I've gotten so far. It seems to 
> me that there are two distinct approaches:
> 
> 1. Make accuracy a game so that you get to the point to where you can play 
> something N times in a row
> 2. Work on your fundamentals so that your intonation, inner ear, lips can 
> lock a note before you play it
> 
> It seems to me that with method 1 (which has NEVER worked for me) would imply 
> that along the way you figure out what you're doing wrong, practice to 
> correct slurs, etc., then are able to reproduce the accuracy on the spot. It 
> seems to be more of a learning by 'rote' method, which more often than not 
> leads to unpredictable results. I'm sure it would help endurance though, but 
> it wouldn't help boredom.
> 
> With method 2, this seems to be the most efficient way to correct accuracy in 
> the future. Theoretically if your inner ear is right, you can buzz it in 
> tune, you can play it. Why do I say this? Because it's like trying to ride a 
> bike in a very thin lane versus a wider one. If you can stay within that thin 
> lane (meaning you have enough control over your bike) without a problem, then 
> staying within a lane that is 2 feet wider would be easier. So, being able to 
> buzz the notes and hear them, etc. seems to be the best way to get accuracy. 
> 
> Endurance obviously helps, but it seems like it should be the means by which 
> we improve accuracy, and not a result of it. Endurance will obviously be a 
> problem, but to take a parallel from running (which I've gotten into of 
> late), if I am able to run 7 miles each day without a problem, then a quick 3 
> mile jog is much easier. In other words, if you over develop your muscle 
> endurance, it will certainly help. 
> 
> So to improve endurance and buzzing, it boils down to the individual muscles 
> behind the embouchure and how well we can control them, as well as how well 
> we can control the air. Which, again, boils down to fundamentals. Steven Mead 
> once said that brass playing is easy once we get the fundamentals right - and 
> he may have a very good point. 
> 
> This is just rambling as of now, but I wonder if there have been any papers 
> written on brass playing regarding accuracy and how to improve it, and 
> studies on what methods work and what methods don't.
> 
> Method 1 seems like a sink or swim exam, and as someone who never learned to 
> swim that way can tell you that method may not work for everyone.
> 
> -William
> 
> 
> 
> 
> 
> 
> -----Original Message-----
> From: Francis Pressland <[email protected]>
> To: The Horn List <[email protected]>
> Sent: Wed, Aug 24, 2011 3:53 pm
> Subject: Re: [Hornlist] Etudes to improve accuracy
> 
> 
> 
> 
> On 24 Aug 2011, at 10:57, Ralph Hall wrote:
> 
>> In extreme circumstances I put my  
> 
>> wallet on the stand and say, "If you play this perfectly - and I mean  
> 
>> perfectly - you can have the complete contents of my wallet!" Wow, see  
> 
>> the beads of sweat! - on their brow not mine! I've never lost yet
> 
> 
> 
> 
> 
> Well what a surprise Ralph, when did you ever have any money in your wallet 
> 
> anyway ;-)
> 
> 
> 
> 
> 
> 
> 
> 
> 
> Francis
> 
> 
> 
> 
> 
> _______________________________________________
> 
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