Wasn't use of vibrato also favored among Eastern European horn players? -----Original Message----- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Prof.Hans Pizka Sent: Thursday, December 29, 2005 3:49 AM To: 'The Horn List' Subject: RE: [Hornlist] Sarre chamber orchestra - Konzertstuck
..... And lost almost all the special character of the French School of Horn Playing ..... ============================================================ ================================= -----Original Message----- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED] Sent: Thursday, December 29, 2005 10:45 AM To: horn@music.memphis.edu Subject: Re: [Hornlist] Sarre chamber orchestra - Konzertstuck In a message dated 28/12/2005 22:44:32 GMT Standard Time, [EMAIL PROTECTED] writes: the players use vibrato extensively, which I believe was the standard practice of the "Horn School" in France at the time the recordings were made. I'm not sure if it still is....... No it isn't. When I last worked there (about ten years ago?), they seemed to be striving for a big sound, lots of wide-bore instruments. All the best, Lawrence "þaes ofereode - þisses swa maeg" _http://lawrenceyates.co.uk_ (http://lawrenceyates.co.uk/) Dulcian Wind Quintet: _http://dulcianwind.co.uk_ (http://dulcianwind.co.uk/) _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/hans%40pizka. de _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/bgross%40airmail.net _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
