I believe it was Indiana Universitie's Myron Bloom who worked in France (Orchestre de Paris) and attempted to make the French adopt the big Conn 8-D horns and sound concept. Before Myron Bloom entered the scen; it was common to see ascending horns and hear a much more 'nationalistic' sound. Now (like in many other places), one hears only the same sound (few exceptions, Vienna, Russian Orchestras, some Eastern European orchestras....)
Paul Rincon On 12/29/05, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote: > > > > > In a message dated 29/12/2005 09:50:15 GMT Standard Time, > [EMAIL PROTECTED] writes: > > ..... And lost almost all the special character of the > French School of Horn Playing ..... > > > Yes, exactly, > > All the best, > > Lawrence > > > > "þaes ofereode - þisses swa maeg" > > _http://lawrenceyates.co.uk_ (http://lawrenceyates.co.uk/) > Dulcian Wind Quintet: _http://dulcianwind.co.uk_ ( > http://dulcianwind.co.uk/) > > > > > > > _______________________________________________ > post: horn@music.memphis.edu > unsubscribe or set options at > http://music2.memphis.edu/mailman/options/horn/parsifal560sec%40gmail.com > _______________________________________________ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
