Message text written by The Horn List
>Dennis Brain used to sit the length of his horn uncurled (the site 
claims 12 ft. 9 in. ) from the nearest wall in order for his playing to 
have the best acoustics.<

Dear All

This I have not heard before but in fact, the standard seating in many
British horn sections up to and including the early 1950s was to have the
1st horn seated so that the rest of the section were to his left.  And as
British sections did and do usually sit to the left of the orchestra
(looking from the front) this meant that the 1st horn often could 'bounce'
the sound off the wall.  I have seen a reference in print to Dennis Brain
doing this but, the reason usually given for this seating is that the 1st
horn's bell was not pointing right into the 2nd horn.

There are many  well known British orchestral photos of this seating -
e.g., Douglas Moore and the BBC Symphony section which is contained in the
Robin Gregory book (Mr Moore - the only member of that section pictured
still alive - has recently confirmed that this was the standard seating at
the BBCSO at that time  which was circa 1954)  and the photo of the London
Symphony Orchestra recording Elgar's Violin Concerto with Elgar conducting
and Yehudi Menuin as soloist.  This was taken in 1932 and shows the 1st
horn (Aubrey Thonger) to the left as you look at the orchestra with the
section (2nd Victor Penn, 3rd a player who has been identified as Frank
Probyn but there is apparently some doubt about this, and 4th Charles
Gregory - later 1st horn in the London Philharmonic) to his left.

Cheers

Paul A. Kampen (W. Yorks UK)

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