Hi Jonathan,

I did not intend to imply that Reba was a beginning or unprofessional
player.  That is why I changed the subject line and omitted her original
comments that prompted the new thread.  I was responding to your comment
that buzzing had little value.  As others have supplied better
articulated support for a similar position such as held by Arnold
Jacobs, I'll leave it at that.

This does, however, lead me to wonder about some of the pedagogical
tools that are used without necessarily understanding why or when they
may no longer be useful ( I am certainly not referring to anyone on this
list).  Thus, if Arnold Jacobs recommended buzzing a particular song and
that got passed along without his rationale, it may be that it has taken
on the status of a totem.  Perhaps its value does not require full
comprehension, but I suspect that it will be more valuable if
understood.

I'll give another example.  I was at a middle school concert not too
long ago, and it sounded like there was a 50 member percussion section.
Nearly all the players were dutifully tapping (some almost stomping)
their right foot, just as their teacher told them to.  My sons were
taught, as I was taught, to tap a foot in order to internalize the beat.
At what point does one instruct students to break that habit?  I never
was.  I play in the Minnesota State Band; we had one recording session
ruined because someone was heavily tapping a foot and it was picked up
by the recording equipment.

How about tuning one's horn to concert B flat (just because that is what
the band always tunes to)?

Are there any others out there?

Timothy A. Johnson

-----Original Message-----
From: Jonathan West
Sent: Monday, August 06, 2007 1:11 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Mouthpiece buzzing

Hi Timothy

Reba by all accounts is a fairly advanced player - she had a
professional position in an army band. ... Therefore your point with
regard to younger players is probably not applicable to her.
...
Regards
Jonathan West 

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