This was in reference to naming keys (the initial question was what is
horn in Ut)
As for what to do once you're IN a key, I'm hard-core, la-based minor,
moveable Do all the way.
Kjellrun
On 5-Dec-07, at 7:42 PM, Walter Lewis wrote:
I would think that the movable Do system would be in effect. Example:
if the key is A, then A is Do...If memory serves correctly, only the
French use a stationary do system. That comes from my Music History
class. (I could be wrong, it's been over 30 years since I studied
Music History and the nuances of solfeggio ). I did remember Guido
readily, though.
I'm sure if I'm wrong, someone will point out my error.
Walt Lewis.
Kjellrun Hestekin <[EMAIL PROTECTED]> wrote: A is La (Think of C as Do,
the D is Re, and so on.) Flat = bemol
Kjellrun
On 3-Dec-07, at 10:40 AM, wrote:
What happens to horn in A, Ab, B, and Bb? Arn't they referred to as
La? Our orchestra recently did an opera with a vocal group. I did so
much transposing, I almost forgot how to read Horn in F at one place.
Any tricks in transposing when the keys change so ofen?
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Kjellrun K. Hestekin
School of Music
Memorial University
St. John's, NL
Canada A1C 5S7
ph: (709) 737 - 8466
fax 709 737 2666
e-mail: [EMAIL PROTECTED]
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